The work of artist David Hartt (Canadian, born 1967) investigates the specificity of place. By examining the culture and built environment of a given locale, Hartt observes how the needs and values of communities form, manifest, and change over time.
For Interval, Hartt selected two sites of relative economic and geographic isolation: Whitehorse in the Canadian Yukon and Sakhalin Island, a Russian territory at the tip of the Japanese archipelago. The exhibition consists of essayistic films and photographs shot in both places. Accompanying these are a score by composer Mitchell Akiyama and a curtain wall structure simulating the reflective exterior of the Bonaventure Hotel in Los Angeles, a postmodernist icon and the initial venue for this project.
Hartt chose each location—Whitehorse and Sakhalin—according to a specific cultural source. In 1967 Canadian pianist Glenn Gould made a radio documentary, The Idea of North, that featured anthropologist and geographer James Lotz recounting his experiences in Whitehorse while making a report on the living conditions of itinerant workers and aboriginal peoples there. Writer Anton Chekhov penned The Island: A Journey to Sakhalin, also a documentary account, after traveling in 1890 to the historically contested territory, then a Russian penal colony.
The title, Interval, refers to a musical term for the harmonic result of two notes struck simultaneously, and more generally to temporal and spatial displacement. Both Gould and Chekhov focused on the periphery of their respective societies in order to comment on the center, an approach Hartt employs to explore the hybrid identities of sites and individuals in a globalized world.
Sponsors David Hartt: Interval was produced and debuted as part of LAXART’s Occasional.
Support of David Hartt: Interval at the Art Institute of Chicago has been generously provided by the Chauncey and Marion D. McCormick Family Foundation and Anne L. Kaplan.
Additional support has been contributed by the Graham Foundation for Advanced Studies in the Fine Arts.
In-kind support is provided by Dirk Denison Architects, Alliance Glazing Technologies, Inc., and Kawneer North America.
1 day 11 hours ago The Art Institute of Chicago Mary Cassatt was the only American artist to exhibit with the original Impressionist group. This sensitive portrayal of a mother and child reflects the most advanced 19th-century ideas about raising children. Scientists and physicians of the day encouraged mothers (instead of wet nurses and nannies) to care for their children and to include regular bathing in their hygiene practices to prevent disease. #5WomenArtists
See three paintings by Mary Cassatt now on view: http://bit.ly/2nl9Z68
Image: [Now on view in Gallery 273] Mary Cassatt. The Child's Bath, 1893. Robert A. Waller Fund.
1 day 15 hours ago The Art Institute of Chicago APRIL 21—Join us for After Dark in the Modern Wing!
Check out the new exhibition Go with special tours and late-night access. And catch live performances by Monakr and Mano.
Must be 21+. Hosted by The Evening Associates of the Art Institute of Chicago.