Through performance-based works inspired by his life experiences and historically rich readymade objects, artist Danh Vo interrogates the construction of inherited cultural values, conflicts, and displacement. When he was a child, Vo's family fled Vietnam and settled in Denmark. His work draws on personal and historical artifacts that directly and indirectly touch on this experience to examine how such items are dispersed across borders or symbolize transnational movements.
The five sculptures on view at the Art Institute constitute part of We The People (detail), Vo's long-term project to reconstruct the Statue of Liberty on a 1:1 scale. Frédéric Bartholdi originally designed the statue as political propaganda for the French opposition; posed to face the Atlantic, "she" was meant to spread America's democratic values to France. The statue became an immigrant symbol as its position also served to welcome ships passing through Ellis Island. The objective of Vo's project, however, is not to erect another statue in its totality but to reconstruct its individual elements and allow them to be dispersed to various museums and art venues across the globe. The scattered fragments remain connected to this universal symbol but emphasize the abstract nature of the concept of freedom. Vo's decision to recreate only the statue's thin copper skin—at its actual thickness of two pennies—reveals the monument's material and conceptual fragility, and by extension, the malleability of its meaning.
The installation not only works against the mythical position of the statue today but, in fact, recalls the original contexts in which the statue made its first public appearances: prior to its full assembly and dedication in New York in 1886, the torch-wielding hand was displayed in Philadelphia at the 1876 Centennial Exhibition, and the head was shown at the Paris Exposition of 1878.
Similarly, the fragments displayed at the Art Institute will be first be installed in Pritzker Garden and then move to the Bluhm Family Terrace in November and are being shown in conjunction with Vo's solo exhibition, Uterus, at the Renaissance Society at the University of Chicago through December 16.
This exhibition is organized by the Art Institute of Chicago with major funding from the Bluhm Family Endowment Fund, which supports exhibitions of modern and contemporary sculpture. Additional support provided by the Society for Contemporary Art. Annual support provided by the Exhibitions Trust: Goldman Sachs, Kenneth and Anne Griffin, Thomas and Margot Pritzker, the Earl and Brenda Shapiro Foundation, the Trott Family Foundation, and the Woman's Board of the Art Institute of Chicago.
1 hour 10 min ago The Art Institute of Chicago A kiss under the mistletoe? Plant one on that special somebody and share your glad tidings with fellow art lovers around the world.
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6 hours 46 min ago The Art Institute of Chicago Happy birthday to the famous artist and chronicler of Parisian nightlife Henri de Toulouse-Lautrec.
This poster is said to have launched the career of French can-can dancer Jane Avril, whose alluring and unique stage persona inspired Nicole Kidman’s character in the film Moulin Rouge.
See two rarely exhibited prints of Jane Avril along with several other works by Toulouse-Lautrec in Gallery 242.
10 hours 12 min ago The Art Institute of Chicago FRIDAY–Start the holidays off with a roar at the 24th Annual Wreathing of the Lions.
Warm up with complimentary hot chocolate and enjoy the family festivities. Free and open to the public!