Through performance-based works inspired by his life experiences and historically rich readymade objects, artist Danh Vo interrogates the construction of inherited cultural values, conflicts, and displacement. When he was a child, Vo's family fled Vietnam and settled in Denmark. His work draws on personal and historical artifacts that directly and indirectly touch on this experience to examine how such items are dispersed across borders or symbolize transnational movements.
The five sculptures on view at the Art Institute constitute part of We The People (detail), Vo's long-term project to reconstruct the Statue of Liberty on a 1:1 scale. Frédéric Bartholdi originally designed the statue as political propaganda for the French opposition; posed to face the Atlantic, "she" was meant to spread America's democratic values to France. The statue became an immigrant symbol as its position also served to welcome ships passing through Ellis Island. The objective of Vo's project, however, is not to erect another statue in its totality but to reconstruct its individual elements and allow them to be dispersed to various museums and art venues across the globe. The scattered fragments remain connected to this universal symbol but emphasize the abstract nature of the concept of freedom. Vo's decision to recreate only the statue's thin copper skin—at its actual thickness of two pennies—reveals the monument's material and conceptual fragility, and by extension, the malleability of its meaning.
The installation not only works against the mythical position of the statue today but, in fact, recalls the original contexts in which the statue made its first public appearances: prior to its full assembly and dedication in New York in 1886, the torch-wielding hand was displayed in Philadelphia at the 1876 Centennial Exhibition, and the head was shown at the Paris Exposition of 1878.
Similarly, the fragments displayed at the Art Institute will be first be installed in Pritzker Garden and then move to the Bluhm Family Terrace in November and are being shown in conjunction with Vo's solo exhibition, Uterus, at the Renaissance Society at the University of Chicago through December 16.
This exhibition is organized by the Art Institute of Chicago with major funding from the Bluhm Family Endowment Fund, which supports exhibitions of modern and contemporary sculpture. Additional support provided by the Society for Contemporary Art. Annual support provided by the Exhibitions Trust: Goldman Sachs, Kenneth and Anne Griffin, Thomas and Margot Pritzker, the Earl and Brenda Shapiro Foundation, the Trott Family Foundation, and the Woman's Board of the Art Institute of Chicago.
11 hours 31 min ago The Art Institute of Chicago FRIDAY—Kick off the holidays in Chicago with a time-honored tradition as we don our beloved lions with traditional evergreen wreaths. Warm up with free hot chocolate, enjoy live music and family activities in the museum, and visit our Neapolitan crèche and the Holiday Thorne Rooms.
WREATHING OF THE LIONS—http://bit.ly/1ATN0Qy
1 day 4 hours ago The Art Institute of Chicago We are thrilled to welcome internationally recognized Chinese art scholar Tao Wang as the Pritzker Chair of the Department of Asian Art and Curator of Chinese Art, as the department aggressively seeks to expand the reach and raise the profile of our Asian collections and programs.
“I am thrilled to join such a storied institution,” said Wang. “This is an exciting time in the field of Asian art, and I look forward to using my knowledge and connections to enhance the Art Institute’s already distinguished collection of Asian art, as well as to promote its research in this area.”