The American city of the 1960s and 1970s experienced seismic physical changes and social transformations, from urban decay and political protests to massive highways that threatened vibrant neighborhoods. Nowhere was this sense of crisis more evident than in the country’s three largest cities: New York, Chicago, and Los Angeles. Yet in this climate of uncertainty and upheaval, the streets and neighborhoods of these cities offered places where a host of different actors—photographers, artists, filmmakers, planners, and activists—could transform these conditions of crisis into opportunities for civic discourse and creative expression.
The City Lost and Found is the first exhibition to explore this seminal period through the emergence of new photographic and cinematic practices that reached from the art world to the pages of Life magazine. Instead of aerial views and sweeping panoramas, photographers and filmmakers turned to in-depth studies of streets, pedestrian life, neighborhoods, and seminal urban events, like Bruce Davidson’s two-year study of a single block in Harlem, East 100th Street (1966–68). These new forms of photography offered the public a complex image of urban life and experience while also allowing architects, planners, and journalists to imagine and propose new futures for American cities.
Drawn from the Art Institute’s holdings, as well as from more than 30 collections across the United States, this exhibition brings together a large range of media, from slideshows and planning documents to photo collage and artist books. The City Lost and Found showcases important bodies of work by renowned photographers and photojournalists such as Thomas Struth, Martha Rosler, and Barton Silverman, along with artists known for their profound connections to place, such as Romare Bearden in New York and ASCO in Los Angeles. In addition, projects like artist Allan Kaprow’s Chicago happening, Moving, and architect Shadrach Wood’s hybrid plan for SoHo demonstrate how photography and film were used in unconventional ways to make critical statements about the stakes of urban change. Blurring traditional boundaries between artists, activists, planners, and journalists, The City Lost and Found offers an unprecedented opportunity to experience the deep interconnections between art practices and the political, social, and geographic realities of American cities in the 1960s and 1970s.
Organizer The City Lost and Found: Capturing New York, Chicago, and Los Angeles,1960–1980 is organized by the Art Institute of Chicago and the Princeton University Art Museum.
Sponsors In Chicago, The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960–1980 is made possible by grants from the Graham Foundation for Advanced Studies in the Fine Arts, the Richard H. Driehaus Foundation, the Lillian H. Florsheim Foundation for Fine Arts, and the Lloyd A. Fry Foundation.
11 hours 53 min ago The Art Institute of Chicago “Every new painting is like throwing myself into the water without knowing how to swim.”
Happy birthday to accomplished swimmer Édouard Manet.
See ten works by Manet now on view—http://bit.ly/2jpR5X2
13 hours 27 min ago The Art Institute of Chicago THURSDAY at 6:00—Join us for a lecture with photographer and
MacArthur fellow LaToya Ruby Frazier as she discusses her work—personal, incisive explorations of issues surrounding race, representation, and social justice in places such as Flint, Michigan and her hometown of Braddock, Pennsylvania.
Free to IL residents—http://bit.ly/2jRrhpV
16 hours 34 min ago The Art Institute of Chicago Hark! Free Winter Weekdays continue at the Art Institute, with free admission all day for Illinois residents—now through February 16.
Image: [Now on view in Gallery 226] Edgar Degas. Café Singer, 1879. Bequest of Clara Margaret Lynch in memory of John A. Lynch.