The American city of the 1960s and 1970s experienced seismic physical changes and social transformations, from urban decay and political protests to massive highways that threatened vibrant neighborhoods. Nowhere was this sense of crisis more evident than in the country’s three largest cities: New York, Chicago, and Los Angeles. Yet in this climate of uncertainty and upheaval, the streets and neighborhoods of these cities offered places where a host of different actors—photographers, artists, filmmakers, planners, and activists—could transform these conditions of crisis into opportunities for civic discourse and creative expression.
The City Lost and Found is the first exhibition to explore this seminal period through the emergence of new photographic and cinematic practices that reached from the art world to the pages of Life magazine. Instead of aerial views and sweeping panoramas, photographers and filmmakers turned to in-depth studies of streets, pedestrian life, neighborhoods, and seminal urban events, like Bruce Davidson’s two-year study of a single block in Harlem, East 100th Street (1966–68). These new forms of photography offered the public a complex image of urban life and experience while also allowing architects, planners, and journalists to imagine and propose new futures for American cities.
Drawn from the Art Institute’s holdings, as well as from more than 30 collections across the United States, this exhibition brings together a large range of media, from slideshows and planning documents to photo collage and artist books. The City Lost and Found showcases important bodies of work by renowned photographers and photojournalists such as Thomas Struth, Martha Rosler, and Barton Silverman, along with artists known for their profound connections to place, such as Romare Bearden in New York and ASCO in Los Angeles. In addition, projects like artist Allan Kaprow’s Chicago happening, Moving, and architect Shadrach Wood’s hybrid plan for SoHo demonstrate how photography and film were used in unconventional ways to make critical statements about the stakes of urban change. Blurring traditional boundaries between artists, activists, planners, and journalists, The City Lost and Found offers an unprecedented opportunity to experience the deep interconnections between art practices and the political, social, and geographic realities of American cities in the 1960s and 1970s.
Organizer The City Lost and Found: Capturing New York, Chicago, and Los Angeles,1960–1980 is organized by the Art Institute of Chicago and the Princeton University Art Museum.
Sponsors In Chicago, The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960–1980 is made possible by grants from the Graham Foundation for Advanced Studies in the Fine Arts, the Richard H. Driehaus Foundation, the Lillian H. Florsheim Foundation for Fine Arts, and the Lloyd A. Fry Foundation.
6 hours 15 min ago The Art Institute of Chicago Discover many unique products made in the USA at the Museum Shop Online.
21 hours 13 min ago The Art Institute of Chicago #TBT 1996: A lion’s job is never done. The Art Institute’s faithful companions look over Michigan Avenue, 103 years after they first arrived at the museum.
1 day 1 hour ago The Art Institute of Chicago NOW OPEN—The Shogun’s World: Japanese Maps from the 18th and 19th Centuries
Now on view in Gallery 107, The Shogun's World showcases the distinct beauty of Japanese mapmaking. These heavily image-based maps occasionally explore spiritual landscapes in addition to physical geography. The importance of spirituality in this tradition is shown in this detail from a mid-19th century map of Yokohama Harbor, where the legend color-codes not only landmarks like Buddhist temples, foreigners’ residences, and stone bridges, but also the locations of spiritually significant trees and rocks.