The American city of the 1960s and 1970s experienced seismic physical changes and social transformations, from urban decay and political protests to massive highways that threatened vibrant neighborhoods. Nowhere was this sense of crisis more evident than in the country’s three largest cities: New York, Chicago, and Los Angeles. Yet in this climate of uncertainty and upheaval, the streets and neighborhoods of these cities offered places where a host of different actors—photographers, artists, filmmakers, planners, and activists—could transform these conditions of crisis into opportunities for civic discourse and creative expression.
The City Lost and Found is the first exhibition to explore this seminal period through the emergence of new photographic and cinematic practices that reached from the art world to the pages of Life magazine. Instead of aerial views and sweeping panoramas, photographers and filmmakers turned to in-depth studies of streets, pedestrian life, neighborhoods, and seminal urban events, like Bruce Davidson’s two-year study of a single block in Harlem, East 100th Street (1966–68). These new forms of photography offered the public a complex image of urban life and experience while also allowing architects, planners, and journalists to imagine and propose new futures for American cities.
Drawn from the Art Institute’s holdings, as well as from more than 30 collections across the United States, this exhibition brings together a large range of media, from slideshows and planning documents to photo collage and artist books. The City Lost and Found showcases important bodies of work by renowned photographers and photojournalists such as Thomas Struth, Martha Rosler, and Barton Silverman, along with artists known for their profound connections to place, such as Romare Bearden in New York and ASCO in Los Angeles. In addition, projects like artist Allan Kaprow’s Chicago happening, Moving, and architect Shadrach Wood’s hybrid plan for SoHo demonstrate how photography and film were used in unconventional ways to make critical statements about the stakes of urban change. Blurring traditional boundaries between artists, activists, planners, and journalists, The City Lost and Found offers an unprecedented opportunity to experience the deep interconnections between art practices and the political, social, and geographic realities of American cities in the 1960s and 1970s.
Organizer The City Lost and Found: Capturing New York, Chicago, and Los Angeles,1960–1980 is organized by the Art Institute of Chicago and the Princeton University Art Museum.
Sponsors In Chicago, The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960–1980 is made possible by grants from the Graham Foundation for Advanced Studies in the Fine Arts, the Richard H. Driehaus Foundation, the Lillian H. Florsheim Foundation for Fine Arts, and the Lloyd A. Fry Foundation.
19 hours 31 min ago The Art Institute of Chicago CLOSING SOON—Abstract/Object
Examine experimental works in film, photography, painting, and printed matter from the 1960s to present in a multimedia exhibition featuring Wolfgang Tillmans, Bruce Nauman, R. H. Quaytman, Mel Bochner, and Gordon Matta-Clark, among others.
Closing January 2—http://bit.ly/2gZxYCP
1 day 1 hour ago The Art Institute of Chicago TODAY at 12:00—Local high school choirs fill the museum with songs of the season, every day at noon on the Grand Staircase, now through Friday.
4 days 49 min ago The Art Institute of Chicago TOMORROW at 4:00—See the world premiere of “The Electric Stage” by performance collective Manual Cinema.
Manual Cinema uses vintage overhead projectors, multiple screens, puppets, actors, live camera feeds, sound design, and a live music ensemble to create immersive visual stories on stage and screen.