Christopher Wool (born 1955) has emerged as one of the most important abstract painters of his generation. The artist—a Chicago native who today divides his time between New York City and Marfa, Texas—is perhaps best known for his paintings of large stenciled letters, which he uses to form words or phrases, often abbreviated or arranged in run-on configurations that disrupt ordinary patterns of perception and speech. This retrospective, the most comprehensive examination of Wool’s career to date, goes beyond these now-iconic word paintings to present nearly 90 paintings, photographs, and works on paper that showcase the wide range of styles and painterly techniques the artist has employed throughout his influential career.
Wool rose to prominence with his experimentations in painting in New York in the 1980s, a time and place where the medium was largely seen as irrelevant to avant-garde practice. Since then the artist has used a variety of means—spray, screens, stencils, rags, solvents, air guns, and other tools—to fully re-imagine the possibilities of gestural mark-making on a surface. He also often now uses photographs of his own paintings as sources for new paintings, taking images of particular passages or gestures—best understood as outtakes or samples—and then transmitting them onto aluminum or linen grounds anew through silkscreen, either alone on a surface or in combination with enamel. And even though the majority of his works are black and white, color also makes rare appearances.
Combining aspects inherited from Abstract Expressionist art of the 1950s (painterly gesture), Pop Art of the 1960s (the use of silkscreen and other reproductive technologies as well as the influence of street culture), and Conceptual Art of the 1970s (the use of language), Wool’s work simultaneously draws from the recent history of art and points to entirely new possibilities for the future of painting. At the heart of his creative project, which now spans more than three decades, is the question of how a picture can be conceived, realized, and experienced today. The paintings and works on paper for which he is best known accrue their raucous authority from an interrogative approach to technique and process and from their cool refusal to abandon the lingering possibilities of authentic expression through language, mediated gesture, and abstraction. The result is an exhibition steeped in the practice of painting by an artist fully committed to its longevity and perpetual promise.
Organizer This exhibition is organized by the Solomon R. Guggenheim Foundation, New York.
Sponsors Lead sponsorship for this exhibition has been generously provided by Liz and Eric Lefkofsky.
Major support has been provided by Marilyn and Larry Fields with additional funds from The Aaron I. Fleischman Foundation.
Annual support for Art Institute exhibitions is provided by the Exhibitions Trust: Goldman Sachs, Kenneth and Anne Griffin, Thomas and Margot Pritzker, the Earl and Brenda Shapiro Foundation, the Trott Family Foundation, and the Woman’s Board of the Art Institute of Chicago.
1 day 22 hours ago The Art Institute of Chicago NOW OPEN—Abstract Experiments: Latin American Art on Paper after 1950
During the mid-20th century, Latin American artists were active in the evolving international discourse on modernity, at a time of industrial expansion and political transformation in South America.
Abstract Experiments provides an illuminating complement to Hélio Oiticica: To Organize Delirium and reflects the Art Institute’s recent efforts to expand its holdings of Latin American painting, sculpture, and works on paper.
2 days 17 hours ago The Art Institute of Chicago NOW OPEN—Hélio Oiticica: To Organize Delirium
The Art Institute presents the first U.S. retrospective of this groundbreaking Brazilian artist. A relentless innovator always pushing the boundaries of art, Oiticica is arguably the most influential Latin American artist of the post–World War II period and is recognized for inspiring Tropicália, a powerful movement that influenced art across media in Brazil.
In addition to viewing his early works on paper, visitors are invited to take off their shoes and walk through immersive sand-filled installations, view Amazonian parrots, and try on wearable objects designed by the artist.
2 days 18 hours ago The Art Institute of Chicago Whitney will be taking over our Instagram for the next 24 hours. Follow along to see posts from Max and Julien’s visit to the museum.