Throughout its history the city of Chicago has inspired myriad urban and architectural innovations, many of which have had far-reaching influence. Indeed, urbanists and architects today still look to many of these historical moments in Chicago as exemplary instances of progression and development. The collection of the Art Institute’s Department of Architecture has extensive holdings on work within the region of Chicago, representing the important innovations, theoretical approaches, and architectural movements spurred by the city’s development. This exhibition surveys Chicago’s rich urban history and explores contemporary approaches to five Chicagoisms—key historical principles that have powered the city’s distinctive evolution.
As part of a series in which the department enlists contemporary architects and designers to organize installations that investigate critical issues within their practices, architectural theorist Alexander Eisenschmidt and art historian Jonathan Mekinda have extrapolated key ideas from their recent publication, Chicagoisms: The City as Catalyst for Architectural Speculation. Along with designer Matt Wizinsky, the team engaged contemporary architects to undertake their own investigations and interpretations of five Chicagoisms. Developed as architectural models with corresponding manifestos specifically for this exhibition, these explorations developed by nine contemporary architects—Bureau Spectacular, DOGMA, MVDRV, Organization for Permanent Modernity, PORT, Sam Jacob, UrbanLab, Weathers, and WW—are presented with historical black-and-white photographs that are emblematic of the five Chicagoisms. This juxtaposition of the historic and the contemporary underscores how the architectural and urban history of Chicago can act as a catalyst for new forms of speculation and innovation.
This exhibition was made possible by the generous support of the Architecture & Design Society.
1 day 3 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
1 day 21 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 1 hour ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx