Exhibitions > To Build a Modern Campus: Ludwig Mies van der Rohe and the Illinois Institute of Technology, 1939–1948
To Build a Modern Campus: Ludwig Mies van der Rohe and the Illinois Institute of Technology, 1939–1948
July 2, 2016–October 16, 2016
Former Bauhaus director Ludwig Mies van der Rohe immigrated to Chicago in 1938 to head the architecture program at the Armour Institute, which soon became the Illinois Institute of Technology. Mere months after his arrival, Mies was asked to design a new plan for the university’s rapidly expanding campus on the Near South Side. The German-trained architect spent three years working on a master plan for super blocks that removed city streets and razed nearly all existing buildings on the site. Based on a modular grid that could accommodate different building sizes and allow for future expansions, his drawings and plans envision the campus as a dynamic modern composition of open green space and glass-and-steel architecture.
The construction of the IIT campus came with a cost, however, as it displaced many residents in the surrounding neighborhood. Among the demolished buildings was the Mecca, a large apartment complex made famous by local jazz musicians, which was torn down to make way for Mies’s masterwork, Crown Hall. Although the IIT campus was widely praised as an exemplary expression of modern technology and advanced planning techniques, we now understand the legacy of the project to include stories of social struggle and cultural erasure.
1 hour 54 min ago The Art Institute of Chicago #TBT This 1908 postcard shows the Art Institute as it looked the last time the Chicago Cubs won the #WorldSeries. 108 years later the city has #CubsFever all over again. #NeverStopBelieving #FlyTheW
3 hours 25 min ago The Art Institute of Chicago TOMORROW at 6:30—British journalist and design critic Alice Rawsthorn joins us to discuss her latest book, Hello World, chronicling her many years of research and reporting on the state of design past, present, and future. Free with registration.
5 hours 52 min ago The Art Institute of Chicago “History is something that continuously creeps into the present.”
South African artist Kemang Wa Lehulere describes his work as a “protest against forgetting.” See his first American museum show, In All My Wildest Dreams, now on view in the Modern Wing.