During the 15th century, quickly painted woodcuts were the favorite art form of the masses. The woodblock’s hardy constitution allowed thousands of impressions to be printed so that they were much more affordable than paintings or manuscript illuminations. Yet despite their initial numbers and popularity, very few sheets have survived—in some cases, only a single one.
This exhibition brings together a small group of brilliantly colored European woodcuts that show exactly how a largely illiterate public liked their devotional imagery: raw, emotional, and very bloody. Indeed, Christ’s blood flows freely throughout the works gathered in this intimate exhibition—thickly painted onto his tortured body and symbolically transmuting from wine into blood at the Last Supper and later, miraculously, during the Eucharist. The Scourging of Christ woodcut particularly demonstrates a fascination with violence. While the print originally included no indication of blood, it was supplied in abundance in the hand-colored impression. As this print has never before been exhibited—and exposed to the harmful effects of light—its garish tones look the way they did when the color was first applied.
In fact, many of these rare early German woodcuts were vibrantly decorated with stencils and less stable media such as hand-coloring or gold-leaf illumination, which is why they have been infrequently displayed at the Art Institute of Chicago. To limit fading, hand-colored prints can be exposed to light for a maximum of three months every five years. Thus, four of the woodcuts in this exhibition will be exchanged halfway through the six-month installation, offering an unusual opportunity to see a total of eight of the museum’s early hand-colored prints.
For even more early German woodcuts, leaf through the pages of our Devotional Scrapbook online, one selection from the Department of Prints and Drawings and the Ryerson and Burham Libraries Special Collections that has been digitized as part of Turning the Pages.
1 day 21 hours ago The Art Institute of Chicago "Real painters understand with a brush in their hand."
Happy birthday to the trailblazing artist Berthe Morisot, a core member of the Impressionists and the only woman to be exhibited in seven of the eight Impressionist group exhibitions between 1874 and 1886.
See two paintings by Berthe Morisot, now on view in Gallery 201.
Image: Berthe Morisot. Woman at Her Toilette, 1875/80. Stickney Fund.
2 days 14 hours ago The Art Institute of Chicago John Singer Sargent’s portraits have captivated audiences for over a century. ARTicle takes a closer look at his work, on the week of the American Impressionist’s birthday.
2 days 15 hours ago The Art Institute of Chicago FEBRUARY 24—After Dark: Xtra Loud featuring "Hélio Oiticica—To Organize Delirium"
Join us for a special edition of After Dark in the Modern Wing! Dive deep into 1960s Brazil with a performance from legendary psychedelic pop group Os Mutantes. And enjoy special tours of the exhibition Hélio Oiticica: To Organize Delirium, a conversation with Os Mutantes leader Sérgio Dias and the hosts of Sound Opinions, plus a Tropicália-inspired DJ set by recess.
Hosted by The Evening Associates of the Art Institute of Chicago.