During the 15th century, quickly painted woodcuts were the favorite art form of the masses. The woodblock’s hardy constitution allowed thousands of impressions to be printed so that they were much more affordable than paintings or manuscript illuminations. Yet despite their initial numbers and popularity, very few sheets have survived—in some cases, only a single one.
This exhibition brings together a small group of brilliantly colored European woodcuts that show exactly how a largely illiterate public liked their devotional imagery: raw, emotional, and very bloody. Indeed, Christ’s blood flows freely throughout the works gathered in this intimate exhibition—thickly painted onto his tortured body and symbolically transmuting from wine into blood at the Last Supper and later, miraculously, during the Eucharist. The Scourging of Christ woodcut particularly demonstrates a fascination with violence. While the print originally included no indication of blood, it was supplied in abundance in the hand-colored impression. As this print has never before been exhibited—and exposed to the harmful effects of light—its garish tones look the way they did when the color was first applied.
In fact, many of these rare early German woodcuts were vibrantly decorated with stencils and less stable media such as hand-coloring or gold-leaf illumination, which is why they have been infrequently displayed at the Art Institute of Chicago. To limit fading, hand-colored prints can be exposed to light for a maximum of three months every five years. Thus, four of the woodcuts in this exhibition will be exchanged halfway through the six-month installation, offering an unusual opportunity to see a total of eight of the museum’s early hand-colored prints.
For even more early German woodcuts, leaf through the pages of our Devotional Scrapbook online, one selection from the Department of Prints and Drawings and the Ryerson and Burham Libraries Special Collections that has been digitized as part of Turning the Pages.
2 hours 22 min ago The Art Institute of Chicago #tbt Official Art Institute seal from 1916.
Believe it or not, the Art Institute did not have an official #logo until 2008, created in conjunction with the opening of the #ModernWing.
4 hours 58 min ago The Art Institute of Chicago Frederick Douglass will long be remembered as one of the most powerful 19th-century statesmen for Abolitionism and women's rights. This 1847 portrait captures Douglass less than ten years after he escaped from slavery and just two years after the publication of his autobiography, a bestseller that helped change the hearts and minds of Americans on the issue of slavery.
If Frederick Douglass's portrait is one of your favorite American works of art, share it with the country by voting for it to be displayed on billboards nationwide. #ArtEverywhereUS