During the 15th century, quickly painted woodcuts were the favorite art form of the masses. The woodblock’s hardy constitution allowed thousands of impressions to be printed so that they were much more affordable than paintings or manuscript illuminations. Yet despite their initial numbers and popularity, very few sheets have survived—in some cases, only a single one.
This exhibition brings together a small group of brilliantly colored European woodcuts that show exactly how a largely illiterate public liked their devotional imagery: raw, emotional, and very bloody. Indeed, Christ’s blood flows freely throughout the works gathered in this intimate exhibition—thickly painted onto his tortured body and symbolically transmuting from wine into blood at the Last Supper and later, miraculously, during the Eucharist. The Scourging of Christ woodcut particularly demonstrates a fascination with violence. While the print originally included no indication of blood, it was supplied in abundance in the hand-colored impression. As this print has never before been exhibited—and exposed to the harmful effects of light—its garish tones look the way they did when the color was first applied.
In fact, many of these rare early German woodcuts were vibrantly decorated with stencils and less stable media such as hand-coloring or gold-leaf illumination, which is why they have been infrequently displayed at the Art Institute of Chicago. To limit fading, hand-colored prints can be exposed to light for a maximum of three months every five years. Thus, four of the woodcuts in this exhibition will be exchanged halfway through the six-month installation, offering an unusual opportunity to see a total of eight of the museum’s early hand-colored prints.
For even more early German woodcuts, leaf through the pages of our Devotional Scrapbook online, one selection from the Department of Prints and Drawings and the Ryerson and Burham Libraries Special Collections that has been digitized as part of Turning the Pages.
40 min 43 sec ago The Art Institute of Chicago CLOSING SOON—Moholy-Nagy: Future Present
The first American retrospective of László Moholy-Nagy in nearly 50 years traces the career of a multimedia artist always ahead of his time.
Closing January 3—http://bit.ly/2gzJdRt
1 hour 41 min ago The Art Institute of Chicago SATURDAY—Love to dance? Join us for our Teen Dance Workshop! Find inspiration in the Art Institute’s collection and then celebrate the art of dance. No experience needed; just come ready to move!
21 hours 32 min ago The Art Institute of Chicago CLOSING SOON—Abstract/Object
Examine experimental works in film, photography, painting, and printed matter from the 1960s to present in a multimedia exhibition featuring Wolfgang Tillmans, Bruce Nauman, R. H. Quaytman, Mel Bochner, and Gordon Matta-Clark, among others.
Closing January 2—http://bit.ly/2gZxYCP