The Donna and Howard Stone Gallery for Film, Video, and New Media features a new work by Finnish artist Eija-Liisa Ahtila. Ahtila’s films, culled from research and interviews with individuals suffering from psychotic disorders, are sensual, profoundly moving vignettes. Her chosen subject matter lends itself easily to perceptual distortions, as series of images flow seamlessly between reality and illusion and draw the viewer into uncanny and deeply fractured environments.
Talo/The House is a three-channel video installation that envelops viewers, mirroring the protagonist’s acts of self-confinement. The film opens with a woman driving up to a secluded house in the woods. Through a series of fixed camera angles that recall surveillance-camera footage in their passivity and fragmentation, Ahtila describes the interior of the house and its surroundings in vibrant, contrasting colors and lush images. As the film progresses, the protagonist hears voices, her awareness of her environment beginning to disintegrate. She describes her experience to the viewer, stating, “Everything is now simultaneous, here, being. Nothing happens before or after. Things don’t have causes. Things that occur no longer shed light on the past. Time is random and spaces have become overlapping. No place is just one anymore.” As the woman’s perceptions unravel, the images become increasingly dreamlike, eventually creating a complete rupture of spatial and temporal boundaries. As the work reaches its conclusion, she is enveloped in the shadow and solitude of her home, and the onscreen tension is made palpable by the increasing darkness of the gallery space.
4 hours 3 min ago The Art Institute of Chicago #TBT This 1908 postcard shows the Art Institute as it looked the last time the Chicago Cubs won the #WorldSeries. 108 years later the city has #CubsFever all over again. #NeverStopBelieving #FlyTheW
5 hours 34 min ago The Art Institute of Chicago TOMORROW at 6:30—British journalist and design critic Alice Rawsthorn joins us to discuss her latest book, Hello World, chronicling her many years of research and reporting on the state of design past, present, and future. Free with registration.
8 hours 1 min ago The Art Institute of Chicago “History is something that continuously creeps into the present.”
South African artist Kemang Wa Lehulere describes his work as a “protest against forgetting.” See his first American museum show, In All My Wildest Dreams, now on view in the Modern Wing.