Exhibitions > The Jack D. Beem Collection: Emerging Japanese Print Artists of the 1960s, 70s, and Beyond
The Jack D. Beem Collection: Emerging Japanese Print Artists of the 1960s, 70s, and Beyond
Sunday, September 26, 2010–Sunday, January 9, 2011
Chicago has boasted many great Japanese print collectors in its history, and Jack D. Beem is one of the foremost in Chicago today. Jack lived in Japan from 1964 to 1970, during which time he began a lifelong interest in Japanese art. Drawn to many of the arts of Japan initially, he found himself lured time and again back to the beauty, techniques, and forms in Japanese contemporary prints. His print collecting began in 1965 and has continued on frequent trips back to Japan.
Jack’s focus has been on new, emerging artists, especially those who use a variety of techniques such as mezzotint, silkscreen, and updated methods of traditional woodblock printing in their works. In addition, he has been fortunate to know some of the artists whose work he collects personally. Noda Tetsuya, whose prints are on display in this exhibition, was an early and constant friend. After seeing an exhibition of his prints at the Tokyo American Club, Jack knew that Noda was not only a great art teacher but would be an important artist as well. Inspired by Noda’s photographic technique, Jack gave him a passport photo of himself, the likeness of which makes an appearance in one of the artist’s works on display here.
This is the first exhibition to focus exclusively on the Beem collection, and we are grateful to be able to present this important collection on the occasion of the opening of the new Japanese art galleries.
Noda Tetsuya. Diary May 8th, 70 in New York, 1970. Jack D. Beem Collection.
5 hours 42 min ago The Art Institute of Chicago ARTicle draws the connection between Mexican political printmaking collective Taller de Gráfica Popular (currently on view) and federally funded muralists in Chicago during the same period.