The maintenance and long-term preservation of the collection are vital to the Art Institute of Chicago’s purpose. The museum maintains an active conservation program to care for its permanent collection with a staff of 20 conservators and scientists that includes specialists in the care of prints and drawings, paintings, three-dimensional objects, textiles, books, and photographs.
The Department of Conservation was established in 1956 with the appointment of Paintings Conservator Louis Pomerantz to the staff. Facilities for textile paper and photographic conservation were added in later years. The conservation department is also equipped for radiography of paintings and three-dimensional objects and for infrared imaging.
In recent years science has played an increasing role in art conservation, both for devising better conservation treatments and to gain a deeper understanding into the material nature of art objects and of artists' techniques and studio practices. In 2003 the Art Institute of Chicago established a state-of-the-art scientific laboratory, with major funding of $2.75 million from the Andrew W. Mellon Foundation, and appointed Francesca Casadio as its first conservation scientist. Two years later an associate conservation scientist was added to the staff. The laboratory is equipped with polarized and fluorescence light microscopy, FTIR and Raman microspectroscopies, X-ray fluorescence spectrometry, and GC/MS analysis
1 hour 58 min ago The Art Institute of Chicago CLOSING SOON—John Massey: Cartón de Venezuela
One of Chicago’s great design stories emerged from the Container Corporation of America (CCA) in the middle of the 20th century. Upon his appointment in 1964 as the CCA's head of design, Chicagoan John Massey formed a research arm, the Center for Advanced Research in Design (CARD), that enabled great creativity and innovation within a corporate structure.
This exhibition features a set of posters by Massey for the CCA’s subsidiary Cartón de Venezuela. Each poster represents a different month of the year, with strong, clean lines and bold colors reflecting one of Massey’s primary influences, the Swiss school of design.
Closing March 5—http://bit.ly/2lYlz6I
2 days 2 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
2 days 20 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.