The maintenance and long-term preservation of the collection are vital to the Art Institute of Chicago’s purpose. The museum maintains an active conservation program to care for its permanent collection with a staff of 20 conservators and scientists that includes specialists in the care of prints and drawings, paintings, three-dimensional objects, textiles, books, and photographs.
The Department of Conservation was established in 1956 with the appointment of Paintings Conservator Louis Pomerantz to the staff. Facilities for textile paper and photographic conservation were added in later years. The conservation department is also equipped for radiography of paintings and three-dimensional objects and for infrared imaging.
In recent years science has played an increasing role in art conservation, both for devising better conservation treatments and to gain a deeper understanding into the material nature of art objects and of artists' techniques and studio practices. In 2003 the Art Institute of Chicago established a state-of-the-art scientific laboratory, with major funding of $2.75 million from the Andrew W. Mellon Foundation, and appointed Francesca Casadio as its first conservation scientist. Two years later an associate conservation scientist was added to the staff. The laboratory is equipped with polarized and fluorescence light microscopy, FTIR and Raman microspectroscopies, X-ray fluorescence spectrometry, and GC/MS analysis
6 hours 33 min ago The Art Institute of Chicago On the move! Not to worry, La Grande Jatte will be on view again when Impressionism & Fashion opens June 26.
This beloved painting hasn't left the museum for over 50 years. Learn more on ARTicle—http://ow.ly/ma8dV
11 hours 7 min ago The Art Institute of Chicago This Thursday—Come to Unveiled in the Modern Wing! See the new exhibition Abelardo Morell: The Universe Next Door, then meet us for a drink and join in our in-gallery game for a chance to win tickets to upcoming events.
1 day 8 hours ago The Art Institute of Chicago "If you could have a drink with anyone, who would it be?" and other questions with museum director Douglas Druick