The maintenance and long-term preservation of the collection are vital to the Art Institute of Chicago’s purpose. The museum maintains an active conservation program to care for its permanent collection with a staff of 20 conservators and scientists that includes specialists in the care of prints and drawings, paintings, three-dimensional objects, textiles, books, and photographs.
The Department of Conservation was established in 1956 with the appointment of Paintings Conservator Louis Pomerantz to the staff. Facilities for textile paper and photographic conservation were added in later years. The conservation department is also equipped for radiography of paintings and three-dimensional objects and for infrared imaging.
In recent years science has played an increasing role in art conservation, both for devising better conservation treatments and to gain a deeper understanding into the material nature of art objects and of artists' techniques and studio practices. In 2003 the Art Institute of Chicago established a state-of-the-art scientific laboratory, with major funding of $2.75 million from the Andrew W. Mellon Foundation, and appointed Francesca Casadio as its first conservation scientist. Two years later an associate conservation scientist was added to the staff. The laboratory is equipped with polarized and fluorescence light microscopy, FTIR and Raman microspectroscopies, X-ray fluorescence spectrometry, and GC/MS analysis
10 hours 18 min ago The Art Institute of Chicago #TBT A view of George F. Harding’s “castle museum,” built in 1927.
The prominent businessman and politician had already amassed a sprawling collection of artworks, arms, and armor when he built an annex to his home on Chicago’s South Side. The Gothic Revival stone turret—complete with cannonballs embedded in the exterior walls—also included a dungeon and secret passages. Following Harding's death in 1939, the “castle” became a public museum for two decades until it was demolished during an urban renewal project. The collection was eventually brought to the Art Institute, fulfilling Harding’s intention to offer his stunning collection of art, arms, and armor to the people of Chicago.
See Harding's collection like never before in Saints & Heroes: Art of Medieval and Renaissance Europe.
12 hours 53 min ago The Art Institute of Chicago CLOSING SUNDAY—Rodney McMillian: a great society
Grappling with the complexities of class, race, and place in America, Rodney McMillian employs elements of performance, public speaking, oral history—and his interest in the science fiction genre—to expose the social and psychological consequences of economic inequality and endemic racism. While his work engages the often stark realities of history and contemporary culture, it is motivated by the potential for alternative realities and future transformation.
15 hours 40 min ago The Art Institute of Chicago "These galleries will make even the saint-averse stop and take notice."
via Chicago Tribune