Contemporary artist Spencer Finch continues his exploration of color and light with Lunar, a site-specific installation on the Modern Wing's Bluhm Family Terrace. The "lunar lander module" is a self-powered...
In May, the artist Pae White came to the Art Institute to install her site-specific work Restless Rainbow (2011) on the museum’s Bluhm Family Terrace. She kindly agreed to talk to us about her large-scale installation during her visit....
By Jitish Kallat
Jitish Kallat's installation, Public Notice 3, opens at the Art Institute of Chicago tomorrow, September 11, 2010. The artist was generous enough to give us his thoughts on the work for ARTicle. Public Notice 3 draws on...
Things are always changing in the contemporary galleries. Recently a new room of paintings by Chicago artist Roger Brown (American, 1941–97) was installed in gallery 296, on the second floor of the Modern Wing. Brown was a student at the...
10 hours 4 min ago The Art Institute of Chicago Just like the museum's collection comes from artists around the world, so does the Museum Shop’s assortment of products. We source exclusive products from artisans that are inspired by the cultures, mediums, and techniques represented in our museum collection. View our assortment of unique items from India.
19 hours 12 min ago The Art Institute of Chicago NOW ON VIEW—Provoke: Photography in Japan between Protest and Performance, 1960–1975
Provoke was the English-language title for a Japanese photo magazine of the late 1960s; the name also designates the group of photographers and writers who put that formative publication together. Their influence has grown so great that the “Provoke era” is now international shorthand for sixties counterculture in Japan. This generational uprising swelled from the massive unrest, and sheer cultural disorientation, that accompanied the country’s transformation from ruined empire to superpower after World War II.
This exhibition places the achievements of Provoke alongside those of protesters and protest collectives, who made riveting photobooks, films, and photographs throughout the same era, as well as artists and art collectives keenly interested in live performance and its relation to the mechanical image.
22 hours 44 min ago The Art Institute of Chicago NEW ACQUISITION—In the early decades of the sixteenth century, Antwerp was a great center of commerce, finance, and luxury trade. The Flemish city attracted innovative painters like Quentin Massys, Jan Gossart, and Joos van Cleve working in a style that combined northern traditions with Italianate forms. Numerous other painters, whose work is only known under names of convenience, like the Master of the Lille Adoration, swelled the ranks of the Antwerp guild.
Saint Jerome in Penitence (by the Master of the Lille Adoration) is an ideal addition to our collection and can be seen alongside other exemplary paintings from Renaissance Antwerp—on view in Gallery 207.