In the lead up to Halloween, it feels appropriate to feature the work of Ivan Albright, a mid-20th-century artist known for his particularly macabre imagery. And although he is most famous for painting the eponymous work in the 1945 movie The Picture of Dorian Gray, he referred to this painting, That Which I Should Have Done, I Did Not Do (The Door), as his most important work.
The painting illustrates the artist’s preoccupation with death and mortality, featuring an 8-foot-tall door hung with a decaying funeral wreath. A wrinkled hand holding an old handkerchief reaches in to the left side of the painting, perhaps towards the doorknob.
Albright spent weeks collecting the props for the painting and then spent 13 months creating an elaborate charcoal underdrawing. After that, he slowly worked on the intricate detailing of the door, claiming to complete no more than “a quarter of a square inch per day.” He used a female model for the wizened hand, but after posing every weekend for a year, she grew weary of Albright’s process and quit. He subsequently had a plaster cast of a hand made.
The Door briefly made Albright a national celebrity. He first exhibited it unfinished at the Carnegie Museum in 1938 and it was an instant success with critics. After it was completed, it was featured in the Metropolitan Museum of Art’s Artists for Victory, where it took first prize. A critic from The New Yorker called him “the poet of putrescence” and said that he “can express a kind of somber malevolence that is truly impressive.”
A masterpiece for certain, but we recommend that you think twice before you approach a door that looks like this on Halloween!
Ivan Albright. That Which I Should Have Done I Did Not Do (The Door), 1931/41. Mary and Leigh Block Charitable Fund.
1 day 3 hours ago The Art Institute of Chicago NOW ON VIEW—Kemang Wa Lehulere: In All My Wildest Dreams
Artist Kemang Wa Lehulere describes his work as a “protest against forgetting,” reenacting what he calls “deleted scenes” from South African history through a masterful conflation of personal and collective storytelling. See his first American museum show, In All My Wildest Dreams—on view through January 16.
1 day 7 hours ago The Art Institute of Chicago NOW ON VIEW—A new photography rotation showcases groundbreaking Contemporary works from artists like John Baldessari, Sally Mann, Chuck Close, Barbara Kruger, among others—on view in Gallery 10 through January 2.
Image: Richard Misrach. Untitled #696–05, from series On the Beach, 2005. Gift of the artist.
2 days 3 hours ago The Art Institute of Chicago Toulouse-Lautrec’s work increased the visibility of lesbians in 19th-century Paris, portraying them in a sympathetic light when prevailing perceptions were anything but favorable.