This Thorne Miniature Room was designed in the haute Empire style, reflecting the lavish and elaborate Neoclassical tastes of Napoleon, the reigning emperor. The green Roman columns on the walls, the use of materials like marble and simulated gilded bronze, and the stately severity of the lines were all hallmarks of this architectural and decorative style.
And there are Napoleonic references everywhere. Emblems related to the emperor—like eagles, bees, laurel wreaths, and the letter "N"— were often included in rooms like this one. In this case, check out the laurel wreaths in the ornamentation above each set of doors. A bust of Napoleon also watches over the room from the mantle and as you look down the fireplace in the detail below, you'll see images of the sphinx, which also pop up on chairs and tables throughout the room. According to Mrs. Thorne (who conceived of the rooms) herself, Napoleon's campaign in Egypt resulted in "a perfect orgy of Egyptian design."
The bold colors also reflect the prevailing style of the early 19th century. Color schemes that included gold, black, and crimson were popular and in this room, the niche is painted in Pompeiian red and the chairs and curtains in a shade of green called "Empire." The rug was also copied for a portfolio of designs for rugs that Napoleon commissioned for the palace of Fontainebleau.
But style often comes at a price. As Mrs. Thorne said, "It lacks [a] livable quality, but it is 100 percent Napoleonic, and that is what I was striving for."
Image Credit: Mrs. James Ward Thorne. E-26: French Anteroom of the Empire Period, c. 1810, c. 1937. Gift of Mrs. James Ward Thorne.
5 hours 1 min ago The Art Institute of Chicago NOW OPEN—Humanism + Dynamite = The Soviet Photomontages of Aleksandr Zhitomirsky
The first exhibition in the post-Soviet world devoted to leading political artist Aleksandr Zhitomirsky offers a captivating portrayal of a satirist and loyal citizen who inventively furthered his country’s official causes across a tumultuous half-century.
6 hours 53 min ago The Art Institute of Chicago CLOSING SOON—Icelandic artist/musician Ragnar Kjartansson’s intensely durational works often manifest a rare synthesis of pathos and humor.
A Lot of Sorrow is both a music video and extended concert film, in which The National performs its ballad “Sorrow” on repeat for six hours. See the song take on new layers of meaning as the hours pass and fatigue sets in.
Closing October 16—http://bit.ly/2du3GXh
3 days 2 hours ago The Art Institute of Chicago Congratulations to the Smithsonian National Museum of African American History and Culture on their grand opening this weekend. The building, designed by architect David Adjaye, is a truly historic addition to the National Mall in Washington D.C. #APeoplesJourney #MakingHistory