Members of the Art Institute can always count on being the first to explore every major exhibition, and Magritte: Mystery of the Ordinary, 1926-1938 is no exception. With three preview days (that are still going on as I write this!), members gain exclusive access to the first major museum show to focus on Magritte’s most profoundly inventive and experimental years. During the previews, we also host three exclusive Member Lectures for a behind-the-scenes look at the exhibition.
Since members are some of the museum’s best ambassadors, it’s always exciting to see how they’ll react to a new exhibition. Starting on Saturday, they made their way through the unconventionally-designed galleries filled with René Magritte’s extraordinary and indelible works and the response was both positive and surreal. “The galleries are so lush and amazing, the dark rooms really draw you in,” one member described. Many members also took advantage of the member lectures given by Senior Lecturer, Annie Morse, and Exhibition Research Associate, Elizabeth McGoey. One member said she “loved Annie’s sense of humor which made the concept of surrealism very approachable.” Members really embraced the theme of the weekend, offering us some of their favorite surreal sayings, like “the earth is blue, just like an orange.”
9 hours 28 min ago The Art Institute of Chicago TOMORROW at 4:00—See the world premiere of “The Electric Stage” by performance collective Manual Cinema.
Manual Cinema uses vintage overhead projectors, multiple screens, puppets, actors, live camera feeds, sound design, and a live music ensemble to create immersive visual stories on stage and screen.
12 hours 12 min ago The Art Institute of Chicago A Sunday on La Grande Jatte has been among the museum’s most beloved paintings since it first entered the collection in 1926. ARTicle celebrates the birthday of Georges Seurat, with some fun facts about this pointillist masterpiece.
1 day 4 hours ago The Art Institute of Chicago #TBT Ladies strike a pose in Blackstone Hall, 1909.
Demolished in 1958, the enormous two-story gallery once spanned the area between where the Asian art and Prints and Drawings galleries are today and housed over 150 plaster cast sculptures, many replicas of Greek and Roman art received as gifts from the French government.