When I was in school studying art history—wait, no I swear this is not THAT kind of story—I was as captivated by what I was learning outside of class as what I was learning in a dark slide lecture. A footnote or a random parenthetical comment would send me down a rabbit hole, which wasn’t easy to do in the days before the internet. If I read that Marcel Duchamp gave up art for chess, the next few days would find me at the photocopier so I could squirrel away diagrams of famous chess matches. A brief mention of the odd life of Joseph Cornell—who lived at home, worked in his garage, and dreamily read movie star magazines—had me buried in the library stacks flipping through bound issues of Look magazine and thinking about a world in which winter coats were advertised for $3.99 at department stores.
This weirdly curious frame of mind applied to all of us who worked on the Art Institute’s new app, “Closer,” which was launched last week. Did I mention the app was free? We know that music was integral to Kandinsky’s thinking, but what was he actually listening to? We’ve seen Picasso’s famous muse Marie-Thérèse Walter a million times in his paintings, but what did she really look like? What’s on the back of a Joseph Cornell box? The new app was fueled by these sorts of questions and gave us an opportunity to put some cool stuff in your hands.
You can read in the app that Duchamp said he considered “working for a living slightly imbecilic.” Some days we might be inclined to agree. But not the days we were working on the app, reading the transcripts of the famous Brancusi “Is it art?” trial or combing through our archives for pictures of the curators and collectors who laid the foundation of our modern collection. Download the free app—available only on iOS devices via the app store—and let us know what you think. Our verdict: not imbecilic at all!
[Ed. note: For all of you wondering about the title of this post, click here.]
4 hours 19 min ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
8 hours 35 min ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx
22 hours 34 min ago The Art Institute of Chicago Put your own creative spin on 30 masterpieces from the Art Institute of Chicago. Our coloring book is now available online at the Museum Shop.