The Thrill of the Chase: Drawings for the Harry B. and Bessie K. Braude Memorial Collection will be opening soon in the Jean and Steven Goldman Prints and Drawings Galleries. These exquisite drawings belong to a very special friend of the museum. Dorothy Braude Edinburg, or as we affectionately call her for short, DBE, has been chasing the world’s best artworks on paper for some three quarters of a century. Her due diligence in the quest for only the very best keeps her going strong.
Dorothy has a keen eye, exceedingly high standards for style, attribution, and condition, and a relentless taste for new acquisitions. With these tools, she has accumulated a superlative collection of European drawings, prints, and illustrated books, many of which she herself bought at live auction. Most of these treasures have been welcome guests at the Art Institute for many of the 22 years we’ve known and worked with this amazing, tireless woman. This exhibition includes 87 drawings she purchased since 1991 in active consultation with Art Institute curators, conservators, and other museum specialists.
My first successful auction purchase in tandem with Dorothy was the 1587 drawing of a coat of arms by Daniel Lindtmayer, a Swiss artist who specialized in patterns for stained glass. Dorothy gave us a list of items in the January 2009 Sotheby’s New York sale that she liked, and we helped her narrow it down and further researched the best prospects. This piece was beautifully drawn with allegorical figures, and particularly lively with scribbled annotations suggesting the colors of glass for the final window. It included several other contemporary inscriptions, and, importantly, was securely signed and dated by the artist. I met Dorothy at Sotheby’s prior to the sale so we could see the drawing in person, out of the frame. Squeezed into a tiny narrow room with a black light, Dorothy herself checked the paper for obvious defects that would be invisible to the naked eye. Our Head of Conservation, who came by later to inspect it on her own, gave the final approval. With no signs of a weakened or over-conserved sheet, Dorothy went on to bid victoriously over the phone, and the piece is now hanging on the wall of Gallery 124B of The Thrill of the Chase, just around the corner from the Jean and Steven Goldman Study Center.
Over the years, we have shown Chicago hundreds of Dorothy’s prints in the second floor hallway galleries (including the current 19th-century rotations in 220a and 221a), dozens of her books in Ryerson and Burnham Library exhibitions, and her most prized drawings in a series of major exhibitions throughout the museum. The Thrill of the Chase is a fitting tribute to the history of her collection, which as yet shows no signs of being close to completion, and our collection, which has gained so much through her.
Image Credit: Daniel Lindtmayer. The Arms of Habsberg Flanked by an Elegant Couple, 1587. Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection.
1 day 10 hours ago The Art Institute of Chicago NOW OPEN—Invisible Man: Gordon Parks and Ralph Ellison in Harlem
In this landmark collaboration, two major figures in American art and literature aimed to make the black experience visible in postwar America.
Image: Gordon Parks. Off On My Own, Harlem, New York, 1948. The Gordon Parks Foundation.
5 days 7 hours ago The Art Institute of Chicago #TBT 1960: A visitor to the Art Institute gets a closer look at Naum Gabo’s Linear Construction No. 4.