How do we use fashion to communicate who we are? In July, 15 teens explored this theme through a 2-day workshop entitled Experimental Fashion: Technology, Identity, and Environment. Starting with self-portraits, they explored how culture, expressed through fashion, informs how we communicate our identity and how we perceive ourselves.
The group began with a tour through Impressionism, Fashion, and Modernity, with research associate Terah Walkup facilitating a discussion with the teens on how portraiture and fashion from the late 1800s captured the contemporary moment, a snapshot full of fantasy and fiction of both the artist and the subject. The teens were then charged with envisioning headwear in which they could control what aspects of their identity might be revealed or concealed.
In the Ryan Education studios, teens used photography and drawing to design a headpiece concept that was capable of communicating, through technology, social messages to both the wearer and the observer. They worked with teaching artist Jessica Hyatt to combine technology and materials into futuristic, wearable mock-ups of their designs. They also worked in groups to compile their drawings and images into reproducible fashion zines.
To make this millinery come to life, the group learned some fundamentals about materials, shapes, electronics, and programming. As personal electronics and mobile devices get smaller and more ubiquitous, these objects are becoming more like our fashion accessories—think Google Glass. What does it mean when our fashion accessories are ‘smart’ with sensors and Internet access, like many of our phones.
To dig into these ideas, the teens learned the basics of electrical circuitry and sewed with conductive thread. They also learned how to program on open source “microcontrollers” called Arduino Lilypads. We used Protosnap LilyPad Kits from SparkFun Electronics to get up and running quickly. With just a little orientation, LED lights were flashing in complicated patterns, and noises buzzed and boomed out of vibrating motors and speakers. Several participants even had elements that responded to light or temperature sensors—quite a feat for a two-day workshop!
In these two days, the teens designed thoughtful and imaginative headpieces. For example, the image immediately above is inspired by her love of gardens (and is, in fact, a wearable garden) and the headpiece in the top image is inspired by telepathy. Impressionism, Fashion, and Modernity is on view through September 29, so we invite you to take some time to fashion your own impression.
8 hours 35 min ago The Art Institute of Chicago NOW OPEN—Humanism + Dynamite = The Soviet Photomontages of Aleksandr Zhitomirsky
The first exhibition in the post-Soviet world devoted to leading political artist Aleksandr Zhitomirsky offers a captivating portrayal of a satirist and loyal citizen who inventively furthered his country’s official causes across a tumultuous half-century.
10 hours 27 min ago The Art Institute of Chicago CLOSING SOON—Icelandic artist/musician Ragnar Kjartansson’s intensely durational works often manifest a rare synthesis of pathos and humor.
A Lot of Sorrow is both a music video and extended concert film, in which The National performs its ballad “Sorrow” on repeat for six hours. See the song take on new layers of meaning as the hours pass and fatigue sets in.
Closing October 16—http://bit.ly/2du3GXh
3 days 6 hours ago The Art Institute of Chicago Congratulations to the Smithsonian National Museum of African American History and Culture on their grand opening this weekend. The building, designed by architect David Adjaye, is a truly historic addition to the National Mall in Washington D.C. #APeoplesJourney #MakingHistory