Are we having fun yet? The answer appears to be a definitive “no” in this painting by Frédéric Bazille of his bourgeois family at their country home in Montpelier. But as we’ve discussed previously, most of the subjects of Impressionist paintings aren’t smiling, so just what is it that makes this painting feel different?
It’s due to the fact that each figure can also be read as an individual portrait. All are stiff and posed, as if for a camera. Most of the ten subjects (nine of Bazille's family members with the artist in the upper left) stare straight out and appear to directly address the viewer.
Compare this with Monet’s Women in the Garden painted the year before. Here the focus is more clearly on the garments and the effect of light on the dresses, not as much on the individuals. Bazille was, however, very inspired by Monet's en plein air painting and worked closely with the artist, even sharing a studio at one point. He also purchased Women in the Garden from Monet shortly after it was finished, so Family Reunion likely took some sun-dappled influence from Monet's painting of contemporary fashion out of doors.
—Tricia Patterson, Marketing Coordinator
Image Credit: Frédéric Bazille. Family Reunion, 1867. Musée d’Orsay, Paris.
5 hours 6 min ago The Art Institute of Chicago #TBT The Boy Scouts check out Whistler’s Mother, on view at the Art Institute for the Chicago World’s Fair, 1933.
Whistler’s iconic painting has only been exhibited at the Art Institute on two occasions: once in 1933 and again in 1954 for the exhibition Sargent, Whistler, and Mary Cassatt. See this beloved American portrait—at the Art Institute again for the first time in over 60 years—starting March 4.
6 hours 37 min ago The Art Institute of Chicago TOMORROW—Join us for a special After Dark in the Modern Wing! Catch a performance from the legendary psychedelic pop group Os Mutantes and explore the exhibition Hélio Oiticica: To Organize Delirium—where visitors are invited to take off their shoes and walk through immersive sand-filled installations.
Use the code ADXL10 for $10 off any ticket price—http://bit.ly/2mhLXGh
9 hours 29 min ago The Art Institute of Chicago COMING SOON—Whistler’s Mother: An American Icon Returns to Chicago
Painted in 1871, the portrait better known today as “Whistler’s Mother” was intended to demonstrate the artist’s recent focus on tonal harmonies over subject matter. It came to be lauded as an icon beloved by Americans but rarely seen in the United States.
Explore Whistler’s use of family members as subjects, his abstract treatment of conventional genres such as portraiture and landscape, and the art of his professional ambition, in this focused installation of approximately 25 objects.
OPENING MARCH 4—http://bit.ly/2l3ZCze