Are we having fun yet? The answer appears to be a definitive “no” in this painting by Frédéric Bazille of his bourgeois family at their country home in Montpelier. But as we’ve discussed previously, most of the subjects of Impressionist paintings aren’t smiling, so just what is it that makes this painting feel different?
It’s due to the fact that each figure can also be read as an individual portrait. All are stiff and posed, as if for a camera. Most of the ten subjects (nine of Bazille's family members with the artist in the upper left) stare straight out and appear to directly address the viewer.
Compare this with Monet’s Women in the Garden painted the year before. Here the focus is more clearly on the garments and the effect of light on the dresses, not as much on the individuals. Bazille was, however, very inspired by Monet's en plein air painting and worked closely with the artist, even sharing a studio at one point. He also purchased Women in the Garden from Monet shortly after it was finished, so Family Reunion likely took some sun-dappled influence from Monet's painting of contemporary fashion out of doors.
—Tricia Patterson, Marketing Coordinator
Image Credit: Frédéric Bazille. Family Reunion, 1867. Musée d’Orsay, Paris.
30 min 46 sec ago The Art Institute of Chicago The average museum visitor spends less than 30 seconds looking at a work of art. So what's it like see a six-hour music video?
A Lot of Sorrow is an endurance test for the veteran rock band The National, performing their song "Sorrow" 105 times in a row.
23 hours 33 min ago The Art Institute of Chicago Chicago Splash previews Moholy-Nagy: Future Present, a retrospective on the Bauhaus designer who also made his mark in Chicago—opening at the Art Institute October 2.
1 day 1 hour ago The Art Institute of Chicago CLOSING SUNDAY—Design Episodes: The Modern Chair
Explore the evolution of the modern chair in the 20th century with iconic examples from makers like Charles and Ray Eames, Le Corbusier and Charlotte Perriand, and Harry Bertoia, among others.
THE MODERN CHAIR—http://bit.ly/2dD4Xy0