My annualtrip through the galleries with Sophie—my favorite 8-year-old museum companion—is always a summer highlight. But I was especially excited this year to take her through Impressionism, Fashion, and Modernity. In the past, we’ve meandered through the Modern Wing and last year’s Lichtenstein exhibition and while Sophie is always game for exploring contemporary art, I knew all of the beautiful dresses and accessories—not to mention the paintings— in this exhibition would be right up her alley. I was not disappointed.
She proclaimed that she found “the prettiest dress ever” (see above) and “the coolest shoes” as we walked throughout. She’s a ballerina herself, so she loved the use of tulle and all of the volume in the garments. I didn’t take offense when she noticed that all of the dresses in the exhibition wouldn’t fit me (they wouldn’t), but did feel a little better when she added that they looked like they would be better suited for a big kid. In fact, all of the garments in the exhibition are for adults, but adults during this time were significantly shorter than adults today.
She was also quick to notice the different styles of the Impressionist artists. Tissot’s exacting style “looked more like a photo,” while Monet’s paintings were “a little brushier.” And she was right. Although Tissot’s paintings were exhibited at the Parisian Salons, his work is less identified with the Impressionist movement because his aesthetic differed so much from the sketchier brushwork of Renoir, Degas, and, of course, Monet.
She also appreciated the general theatricality of the exhibition. Her favorite gallery featured paintings set out of doors. She was happy she wore sandals so she could feel the grass and was a big fan of both the green park benches and the “comfy” circular sofas in later galleries in lieu of the standard wooden museum benches.
And while I think she did really love the glamour, she came to the (smart, I think) realization that she wouldn’t be interested in living in that time. She noted that a lot of the garments didn’t look particularly easy to wear (especially when you factor in corsets) and that even the dresses women wore just around the house seemed like a lot of work.
As always, it was illuminating to look at a familiar subject through a different lens. Thanks, Sophie!
15 hours 57 min ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
20 hours 14 min ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx
1 day 10 hours ago The Art Institute of Chicago Put your own creative spin on 30 masterpieces from the Art Institute of Chicago. Our coloring book is now available online at the Museum Shop.