The early 1970s: a good time for America, or the greatest time for America? Yeah, not the best time for the global economy. And okay, airlines disasters were a regular news segment alongside weather and sports. But also, facelifts were invented. Cars averaged 8 miles a gallon. Southern rock. The Munich Olympics.
Ha ha, okay, full disclosure: I'm using irony here. The early '70s weren't the best. I haven't even gotten to the big one: Watergate. During this month 40 years ago, the Senate began hearings on the whole fiasco. It's easy to imagine that our generation invented dysfunctional politics, but c'mon. Watergate created quite the scandal.
It wasn't all bad, though. First off, the Jackson 5, right? But also, art. On a sunny day in 1974, Ivan Albright sat in room 603 of the by-then-infamous Watergate Hotel and, with a set of colored pencils, sketched the view he saw. Albright, an artist famous for pulling no punches in depicting the innerugliness of his subjects, seems to eschew any hint of the toxicity associated with his location. Instead he shows us the Potomac river with Impressionistic directness, using bright greens and deep blues. I was in Washington, D.C. last month—I saw the beauty Albright saw here. The news is always going to be a bummer, so remember to look around on a spring day. Have a nice long weekend, everyone.
Image Credit: Ivan Albright. View from Room 603, Watergate, Washington, D.C., 1974. Gift of Ivan Albright.
3 hours 59 min ago The Art Institute of Chicago Fullerton Hall
Free to Illinois residents or with museum admission
Brazilian artist and scholar Andreas Valentin recalls his time in New York City with artist Hélio Oiticica and screens a series of short films the two produced in collaboration.
*Museum admission is free for Illinois residents every Thursday, 5:00–8:00—including during this event.
4 hours 24 min ago The Art Institute of Chicago NOW ON VIEW—Rodney McMillian: a great society
a great society represents artist Rodney McMillian's work in video over the last decade. Grappling with the complexities of class, race, and place in America, McMillian employs elements of performance, public speaking, oral history—and his interest in the science fiction genre—to expose the social and psychological consequences of economic inequality, endemic racism, and the failed promise of freedom and prosperity for all of its citizens. While McMillian's work engages the often stark realities of history and contemporary culture, it is motivated by the potential for alternative realities and future transformation.
Closing March 26—http://bit.ly/2l5Ja6e
9 hours 7 min ago The Art Institute of Chicago CLOSING SOON—John Massey: Cartón de Venezuela
One of Chicago’s great design stories emerged from the Container Corporation of America (CCA) in the middle of the 20th century. Upon his appointment in 1964 as the CCA's head of design, Chicagoan John Massey formed a research arm, the Center for Advanced Research in Design (CARD), that enabled great creativity and innovation within a corporate structure.
This exhibition features a set of posters by Massey for the CCA’s subsidiary Cartón de Venezuela. Each poster represents a different month of the year, with strong, clean lines and bold colors reflecting one of Massey’s primary influences, the Swiss school of design.
Closing March 5—http://bit.ly/2lYlz6I