How many movie stars have been spotted in the Art Institute? Perhaps more than we think and in different ways than we might imagine . . . In fact, a portrait print with a surprising resemblance to Bill Murray will be on view until the end of October in hallway gallery 208a!
No one has identified the sitter for this strikingly modern seeming, but in fact seventeenth-century Dutch chiaroscuro woodcut. The artist, Jan Lievens, was mainly a painter and etcher; most of his early portrait prints resemble the orientalizing designs of his close friend and studio-roommate, Rembrandt.
Lievens’ only woodcut, this work has great immediacy. He achieved this effect by contrasting a stark black outline block with an ochre tone block that highlights the glistening, balding pate. Even without a known sitter, the print was a popular one, with at least one lithograph copy made in the nineteenth century.
The chiaroscuro technique (printing highly-contrasting color in multiple blocks to mimic drawings) became popular in the Spanish Netherlands and the Dutch Republic in the early seventeenth century. Another even more intricate portrait done in this technique by the Flemish artist Christoffel Jegher after Peter Paul Rubens is also on view in 208a, but this time the sitter is thought to be a member of the Venetian nobility.
Although we haven’t seen him in the galleries lately, our inaugural celebrity doppelgänger has some Chicago connections. Born in Wilmette, Illinois, Bill Murray was part of Second City troupe in 1973 before moving to New York for Saturday Night Live, and Los Angeles for the comedies and art-house films that followed.
Look for more posts on ARTicle featuring Art Institute artworks and their famous twins in the future! And special thanks to Mardy Sears, Conservation Technician in Prints and Drawings, who alerted us to this particular doppelgänger and who has been avidly collecting them since 2007.
Jan Lievens (Dutch, 1607–1674) Bust of a Man Facing Forward, 1630/40. Chiaroscuro woodcut from two blocks, in black and light brown ink on cream laid paper. Restricted gift of Mr. and Mrs. Cyrus H. Adams, Frank B. Hubachek, and the Alsdorf Foundation, 1959.542
Bill Murray, in Lost in Translation, Focus Features 2003.
3 hours 24 min ago The Art Institute of Chicago NOW ON VIEW—Provoke: Photography in Japan between Protest and Performance, 1960–1975
Provoke was the English-language title for a Japanese photo magazine of the late 1960s; the name also designates the group of photographers and writers who put that formative publication together. Their influence has grown so great that the “Provoke era” is now international shorthand for sixties counterculture in Japan. This generational uprising swelled from the massive unrest, and sheer cultural disorientation, that accompanied the country’s transformation from ruined empire to superpower after World War II.
This exhibition places the achievements of Provoke alongside those of protesters and protest collectives, who made riveting photobooks, films, and photographs throughout the same era, as well as artists and art collectives keenly interested in live performance and its relation to the mechanical image.
6 hours 56 min ago The Art Institute of Chicago NEW ACQUISITION—In the early decades of the sixteenth century, Antwerp was a great center of commerce, finance, and luxury trade. The Flemish city attracted innovative painters like Quentin Massys, Jan Gossart, and Joos van Cleve working in a style that combined northern traditions with Italianate forms. Numerous other painters, whose work is only known under names of convenience, like the Master of the Lille Adoration, swelled the ranks of the Antwerp guild.
Saint Jerome in Penitence (by the Master of the Lille Adoration) is an ideal addition to our collection and can be seen alongside other exemplary paintings from Renaissance Antwerp—on view in Gallery 207.
1 day 6 hours ago The Art Institute of Chicago This bronze by Daniel Chester French is a reduced version of the full-size statue in the Lincoln Memorial in Washington, D.C., which French worked on with the architect Henry Bacon. The Lincoln Memorial has remained a cherished destination at the National Mall since its dedication in 1922.
Find French's historic depiction of Lincoln in our galleries of American art.