Minotaurs (half-bull, half-man hybrids from Greek mythology) and horses are fairly common characters in Picasso's work. In addition to the painting above, the wounded horse makes an appearance in Guernica, one of Picasso's most famous paintings. Both figures also pop up elsewhere in the exhibition in prints that Picasso made in the 1930s.
Bulls would have been recognized as emblems of Spain, but minotaurs represented man's irrational impulses and perhaps appropriately can be found in other works in the exhibition in orgy-like scenes. Some suggest that Picasso himself identified with this character.
In this painting, the minotaur acts as torero and aggressor, having just gored the horse in the middle of a crowded bull-fighting ring. But the turmoil in this painting might be a little more complex. It was painted at a time when Picasso was struggling with both his wife Olga and his mistress Marie-Thérèse, as well as unrest brewing in his native Spain.
11 hours 26 min ago The Art Institute of Chicago Chicago Splash previews Moholy-Nagy: Future Present, a retrospective on the Bauhaus designer who also made his mark in Chicago—opening at the Art Institute October 2.
13 hours 48 min ago The Art Institute of Chicago CLOSING SUNDAY—Design Episodes: The Modern Chair
Explore the evolution of the modern chair in the 20th century with iconic examples from makers like Charles and Ray Eames, Le Corbusier and Charlotte Perriand, and Harry Bertoia, among others.
THE MODERN CHAIR—http://bit.ly/2dD4Xy0
1 day 9 hours ago The Art Institute of Chicago CLOSING SOON—Supernatural Shakespeare
While Shakespeare’s title characters might have the most name recognition, the Bard’s meddling witches and mischievous faerie folk often steal the show. See this focused installation before it closes October 10.