Minotaurs (half-bull, half-man hybrids from Greek mythology) and horses are fairly common characters in Picasso's work. In addition to the painting above, the wounded horse makes an appearance in Guernica, one of Picasso's most famous paintings. Both figures also pop up elsewhere in the exhibition in prints that Picasso made in the 1930s.
Bulls would have been recognized as emblems of Spain, but minotaurs represented man's irrational impulses and perhaps appropriately can be found in other works in the exhibition in orgy-like scenes. Some suggest that Picasso himself identified with this character.
In this painting, the minotaur acts as torero and aggressor, having just gored the horse in the middle of a crowded bull-fighting ring. But the turmoil in this painting might be a little more complex. It was painted at a time when Picasso was struggling with both his wife Olga and his mistress Marie-Thérèse, as well as unrest brewing in his native Spain.
4 hours 6 min ago The Art Institute of Chicago Find out what a room of his own meant to Vincent van Gogh in this teaser video with curator Gloria Groom.
Van Gogh’s Bedrooms opens to the public this Sunday.
7 hours 19 min ago The Art Institute of Chicago Actor Kirk Douglas strikes a pose with Vincent van Gogh at the Art Institute. Douglas was nominated for an Academy Award for his portrayal of the Dutch painter in the 1956 film Lust for Life. #tbt
See the self-portrait in a whole new light in Van Gogh’s Bedrooms—opening this Sunday. #VanGoghsBedrooms
1 day 53 min ago The Art Institute of Chicago Vincent van Gogh painted this self-portrait the same week as his second version of The Bedroom. A patient at an asylum in Saint-Rémy at the time, Van Gogh left behind one of the few places in his life he could truly call his own.
Van Gogh’s Bedrooms is the first exhibition to delve into the fascinating history behind the bedroom paintings and the beloved artist’s restless search for a sense of home.