On one level, this large painting of a nude was inspired by Picasso's second wife Jacqueline Roque. But it also belies a number of the artist's life-long thematic and stylistic interests. Over 40 years after Cubism's impetus, he continues to draw from that vocabulary with his use of geometric, flattened forms. It also takes inspiration from classical themes, with a reclining nude in a seemingly eternal landscape. The landscape, in fact, was in Provence, where Picasso lived with Roque. The location was also close to Mont Sainte-Victoire, the mountain that Cézanne memorialized.
If you find yourself at the museum, visit Picasso's Nude Under a Pine Tree, and then head up to the Post-Impressionist galleries for a deeper look at Picasso's connection to Cézanne, who Picasso referred to as his "one and only master."
11 hours 46 min ago The Art Institute of Chicago Take a look inside Saints & Heroes: Art of Medieval and Renaissance Europe with WTTW - Chicago PBS.
2 days 7 hours ago The Art Institute of Chicago Mary Cassatt was the only American artist to exhibit with the original Impressionist group. This sensitive portrayal of a mother and child reflects the most advanced 19th-century ideas about raising children. Scientists and physicians of the day encouraged mothers (instead of wet nurses and nannies) to care for their children and to include regular bathing in their hygiene practices to prevent disease. #5WomenArtists
See three paintings by Mary Cassatt now on view: http://bit.ly/2nl9Z68
Image: [Now on view in Gallery 273] Mary Cassatt. The Child's Bath, 1893. Robert A. Waller Fund.