We've talked about this year being the 100th anniversary of the Armory Show, but this Sunday, March 24, marks the exact day that this landmark exhibition opened at the Art Institute a century ago. We've alsotalkedabout the exhibition Picasso and Chicago, which celebrates the artist's connection with our fair city, beginning with the Armory Show. And so for our work of the week, I thought an object that was in both the 1913 and 2013 shows would be most appropriate.
Picasso created this Cubist sculpture of his mistress, Fernande Olivier, in the fall of 1909, during which time Fernande served frequently as a subject for the artist. Cubism—as conceived by Picasso and fellow artist George Braque—presents an object from several perspectives simultaneously. Here we see faceted forms that give us a sense of both the inside and outside of Fernande's head, illustrated as repeating convex shapes.
At the time of the Armory Show, the sculpture was owned by photographer, collector, and gallery owner Alfred Stieglitz. After Stieglitz's death, it came to the Art Institute as a gift, along with many other works, including the drawing for the sculpture seen adjacent to it in the exhibition.
4 hours 32 sec ago The Art Institute of Chicago TOMORROW—We are excited to have artist Hebru Brantley taking over our Instagram feed for the day.
Follow along as Hebru shares inspirations from our collection and beyond: http://instagram.com/artinstitutechi
8 hours 11 min ago The Art Institute of Chicago Explore the trailblazing photography of Alfred Stieglitz and his circle like never before.
Our new comprehensive website provides rich historical context for nearly 250 photographs, along with a deeper understanding of the innovative photographic processes employed.
1 day 3 hours ago The Art Institute of Chicago NOW ON VIEW—Otis Kaye incorporated currency into a series of works as a commentary on the close relationship between art and commerce. Heart of the Matter shows a torn-up representation of Rembrandt’s Aristotle with a Bust of Homer with a stack of cash hanging from its center. The painting was purchased at the time for a record-breaking price. Kaye sought to critique the commercialism at the “heart” of the art world while paying tribute the great artists who make it possible.
See our new acquisition—Otis Kaye's Heart of the Matter—on view in Gallery 262.