Gary Winogrand's publication Women Are Beautiful (above) is an actual binder full of women. This portfolio includes 85 photographs of women that were originally presented at New York's Light Gallery in 1975. The images highlight Winogrand's signature aesthetic that encouraged appreciation of chance juxtapositions and an erratic shooting style.
One of the images showcases a group of women in the annual St. Patrick's Day parade in 1975. If you're a Chicago resident, it's easy to tell that the group is traveling down State Street with the Chicago Theatre and the El in the background. Although at this time, the Chicago Theatre was a movie theater—don't miss The Godfather or the Clint Eastwood double feature! All of the images are currently on view in the museum's photography galleries.
1 day 3 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
1 day 21 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 1 hour ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx