I've been looking at this painting a lot lately. Partially because we've been using it to advertise tonight's After Dark event—where you can expect almost everything you see here, minus the smoking indoors—but also because it's prominently featured in the recently opened They Seek a City: Chicago and the Art of Migration, 1910–1950. This exhibition showcases work created during the waves of immigration and migration that took place in Chicago in the first half of the 20th century. The artists included are predominantly African American artists from the South or foreign-born European artists and often focus on racial and cultural identity.
In this painting from the museum's collection, Archibald Motley depicts a lively nightclub scene in vibrant shades of magenta and purple. The clock over the bar reads nearly 1:00 a.m. and the party shows no signs of abating, with groups of people drinking and dancing. Some are lost in their own world, while others gesture at and make eye contact with each other across the space. Typical bar behavior even today. Motley was inspired by and frequently painted images of nightlife in Bronzeville, a neighborhood that attracted many African American migrants. As exhibition curator Sarah Kelly Oehler noted in the catalogue, "His keen depiction of of social life would have resonated with migrants seeking to understand the new mannerisms and etiquette of the big city, as his open-ended narratives allowed viewers to imagine themselves in such scenarios."
Image Credit: Archibald Motley. Nightlife, 1943. Restricted gift of Mr. and Mrs. Marshall Field, Jack and Sandra Guthman, Ben W. Heineman, Ruth Horwich, Lewis and Susan Manilow, Beatrice C. Mayer, Charles A. Meyer, John D. Nichols, and Mr. and Mrs. E.B. Smith, Jr.; James W. Alsdorf Memorial Fund; Goodman Endowment.
1 day 52 min ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
1 day 18 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
1 day 23 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx