I've been a fan of Luisa Lambri since seeing her work at the MCA a few years ago, so I was happy to see the recently-acquired Untitled (Strathmore Apartment 13) hanging up in Griffin Court. Lambri's work offers an inverse and unorthodox version of architectural photography. Rather than explicitly depicting a structure, her images describe an experience of inhabiting a space at a specific moment. Lambri photographed Richard Neutra's Strathmore Apartment in Los Angeles from the inside looking out. Venetian blinds obscure the view, giving us a scant look at the balcony and trees beyond the window. She pays tribute to the design of the building with a composition marked by rigidly organized symmetry and repetition—the stuff of modernist architects' dreams. But then she contrasts the rigidity with sunlight streaming through the slats of the blinds—the stuff of photographers' dreams. The result is nearly abstract despite containing very recognizable elements, and I could look at it all day long.
1 day 3 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
1 day 21 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 1 hour ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx