The first thing that always strikes me about this painting is the size. It's nearly 10 feet tall, making it very close to life-sized. The second thing is just how realistic the figure is. Zurbarán's Jesus is idealized to be sure, but it's also a deeply humanized one. The face is individualized and the strong lighting that comes from somewhere outside the painting calls attention to anatomical details, like the musculature in his torso and the way his toes curl slightly over the too small platform.
When the painting was first shown in the monastery in Seville that commissioned it, people were awed. It was only visible from afar through a grill, and spectators were amazed by how three dimensional it seemed. Later commentators noted that it appeared to be a sculpture rather than a painting. This appearance is heightened by the fact that the scene doesn't appear within a historical context, but on a stark black background, strongly contrasting with Jesus' white figure. Painted at a time when Catholics were aggressively campaigning for new believers, this painting achieved its goal of evoking intense religious feeling.
Image Credit: Francisco de Zurbarán. The Crucifixion, 1627.
1 day 13 hours ago The Art Institute of Chicago Bring Vincent van Gogh’s The Bedroom home with you with our spectacular throw you can hang, hug, or drape.
1 day 18 hours ago The Art Institute of Chicago “A beautiful display of two of americas greatest artists. Two black men with vision, talent and courage… They tell the aspects of our lives from a soul perspective.”
Thanks to Common for his thoughtful response to Invisible Man: Gordon Parks and Ralph Ellison in Harlem. See the exhibition before it closes this Sunday.
1 day 20 hours ago The Art Institute of Chicago Curator Judy Barter highlights the unexpectedly poignant story behind Double Portrait of the Artist in Time by American surrealist Helen Lundeberg.
Visit America after the Fall: Painting in the 1930s and explore the rich cross-section of American artists seeking to forge a new national identity in troubled times.