Japanese artist Tomoko Konoike brings the picture book to life with mimio-Odyssey, a video-projected artist's book that tells the story of a faceless quasi-human's journey through a surrealistic forest. Along the way, she encounters six-legged wolves, bees with girls' legs, and flying daggers as she seeks to make sense of the world around her.
Several traditions are evoked through the imagery in mimio-Odyssey. Shinto animism often associates wolves with kami, the spirits of the unseen world. The words “wolf” and “kami” are even pronounced the same. Imagery taken from Buddhism can been seen in the “third eye” of enlightenment and the prevalence of daggers, often symbolizing the exorcising of evil spirits. And Noh theatre plays its role in the Konoike’s animated masks of young and old, good and evil. Konoike’s use of mythology gives the story of mimio-Odyssey a timeless quality, despite its strange and imaginative creatures. It felt almost like having a storybook read aloud to me as I watched the images flicker silently across the pages. See mimio-Odyssey on view in Gallery 108, next to the Ando Gallery.
Tomoko Konoike. mimio-Odyssey, 2005. Gift of Roger L. Weston.
14 hours 5 min ago The Art Institute of Chicago CLOSING SOON—Invisible Man: Gordon Parks and Ralph Ellison in Harlem
Two major figures in American art and literature aim to make the black experience visible in postwar America.
Closing August 28—http://bit.ly/2aQrnYd
18 hours 34 min ago The Art Institute of Chicago It is believed Van Dyck never intended for the early stages of his etchings to be circulated and was surprised by their immediate popularity in the art market. Finding success at a time when artists didn’t usually show works in progress, these “unfinished” prints helped set the stage for the more recent popularity of works that reveal the creative process. See the prints that altered conventions in Van Dyck, Rembrandt, and the Portrait Print—closing August 7.
1 day 13 hours ago The Art Institute of Chicago #TBT 1983: The museum held an exhibition for the collection of Jalane and Richard Davidson, Chicago collectors of contemporary American realist drawings. Acknowledged at the time for collecting against prevailing art world trends, they amassed a comprehensive collection of work spanning the careers of both well-known artists—like Jack Beal, pictured here with Jalane herself and a portrait he made of her—and lesser-known Midwestern artists. The entire Davidson collection was bequeathed to the museum and saw another exhibition devoted to it in 1999.