From first flight to plane graveyard, commercial jetliners have long careers with more than just figurative ups and downs. I'm a confessed airliner enthusiast, so Hito Steyerl's In Free Fall (2010) piqued my interest because it lays out the life, death, and reuse of a Boeing 707. The moving-image work is separated into three chapters: Before the Crash, After the Crash, and Crash. When we join the main character, Boeing 707 4X-JYI, it's in pieces in Mojave—the place where planes go to die. We're told that 4X-JYI started its life at the glamorous airline TWA ferrying the trendy jet-set. The plane descended to serving utilitarian functions for the Israeli military in the 1970s, made an explosive cameo in the 1994 film Speed, and then was sent to China as scrap—its fuselage chewed up and, presumably, turned into products like pirated DVDs of American action films.
The story of the classic jetliner is told through appearances by Hito Steyerl, actor Imri Kahn, and even the cameraman. The production of In Free Fall also plays a role. So essentially, it's telling the story of the airplane, but it's also telling the story of telling the story of the airplane. Follow me?
Regardless, the plane's many lives, shown in the immersive environment of the Donna and Howard Stone Gallery for Film, Video, and New Media, offer a visually compelling look at the processes of production, consumption, destruction, and reuse. This exhibition is on view through January 27.
1 day 17 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
2 days 11 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 15 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx