The alleged end of the world prompted us to look deep in our collection to see how artists have interpreted doomsday throughout the centuries. Take a look below...
Albrecht Dürer. The Four Horsemen of the Apocalypse, from The Apocalypse, c. 1496–98. Clarence Buckingham Collection.
Jerry Uelsmann. Apocalypse I, 1967. Restricted gift of People's Gallery.
José Guadalupe Posada. The End of the World is Approaching, n.d. William McCallin McKee Memorial Collection.
Honoré Victorin Daumier. “- Adelaide, Adelaide.. I think I can see the comet coming!!... - Oh my God... this is the end of the world.... how annoying. They promised it wouldn't come until June 13!,” plate 31 from Croquis Parisiens, 1857. Gift of Charles E. Worcester.
10 hours 10 min ago The Art Institute of Chicago Mary Cassatt was the only American artist to exhibit with the original Impressionist group. This sensitive portrayal of a mother and child reflects the most advanced 19th-century ideas about raising children. Scientists and physicians of the day encouraged mothers (instead of wet nurses and nannies) to care for their children and to include regular bathing in their hygiene practices to prevent disease. #5WomenArtists
See three paintings by Mary Cassatt now on view: http://bit.ly/2nl9Z68
Image: [Now on view in Gallery 273] Mary Cassatt. The Child's Bath, 1893. Robert A. Waller Fund.
14 hours 15 min ago The Art Institute of Chicago APRIL 21—Join us for After Dark in the Modern Wing!
Check out the new exhibition Go with special tours and late-night access. And catch live performances by Monakr and Mano.
Must be 21+. Hosted by The Evening Associates of the Art Institute of Chicago.