One of the most popular holiday traditions at the Art Institute is the annual decoration of a selection of the Thorne Miniature Rooms. The tiny, dollhouse-like rooms are beloved year round, but there's even more excitement when diminutive, historically accurate holiday decorations are added.
The decorated rooms represent a variety of holiday traditions, including Christmas, Hanukkah, Las Posadas, and the arrival of the Christkindl, among other practices. In New Orleans in the 1860s, people predominantly celebrated Christmas, but also enjoyed a popular holiday custom called réveillon. This late-night celebratory—and very formal—meal happened after a day of fasting and midnight mass on Christmas Eve.
The Thorne Room above obviously doesn't show the réveillon, but rather the preparation for the event. I imagine that the girl who lives in this room has just stepped out after trying on some options for the night ahead. And oh, what options they are!
The dress on the form is a spectacular addition to the room this year. It would have been quite cutting edge for the time, reflecting the shift from the round, bell-shaped dresses of the 1850s to a style that was flatter in the front and showcased a larger bustle in the back. The exact design was inspired by a gown from the Metropolitan Museum of Art's collection and is remarkably close to the original.
The Spanish artisan who designed and hand sewed the dress, María José Santos, meticulously crafted it using multiple kinds of silk, organza, and taffeta. Materials are a huge challenge for miniature dresses because the scale of the actual fabric becomes an issue. Where a designer normally would use silk tulle (the material used in ballet tutus) on such a voluminous, diaphanous skirt, tulle looks like a net at that small size. So organza has to be used instead, creating a more opaque effect. Santos spent dozens of hours manipulating the fabric, and also hand sculpted the tiny drop-like pieces that adorn the dress.
We hope you're able stop by and enjoy the Thorne Rooms over the holiday season, but if not, we'll be posting more information about these tiny treasures in the coming weeks!
3 hours 30 min ago The Art Institute of Chicago NOW ON VIEW—Provoke: Photography in Japan between Protest and Performance, 1960–1975
Provoke was the English-language title for a Japanese photo magazine of the late 1960s; the name also designates the group of photographers and writers who put that formative publication together. Their influence has grown so great that the “Provoke era” is now international shorthand for sixties counterculture in Japan. This generational uprising swelled from the massive unrest, and sheer cultural disorientation, that accompanied the country’s transformation from ruined empire to superpower after World War II.
This exhibition places the achievements of Provoke alongside those of protesters and protest collectives, who made riveting photobooks, films, and photographs throughout the same era, as well as artists and art collectives keenly interested in live performance and its relation to the mechanical image.
7 hours 3 min ago The Art Institute of Chicago NEW ACQUISITION—In the early decades of the sixteenth century, Antwerp was a great center of commerce, finance, and luxury trade. The Flemish city attracted innovative painters like Quentin Massys, Jan Gossart, and Joos van Cleve working in a style that combined northern traditions with Italianate forms. Numerous other painters, whose work is only known under names of convenience, like the Master of the Lille Adoration, swelled the ranks of the Antwerp guild.
Saint Jerome in Penitence (by the Master of the Lille Adoration) is an ideal addition to our collection and can be seen alongside other exemplary paintings from Renaissance Antwerp—on view in Gallery 207.
1 day 6 hours ago The Art Institute of Chicago This bronze by Daniel Chester French is a reduced version of the full-size statue in the Lincoln Memorial in Washington, D.C., which French worked on with the architect Henry Bacon. The Lincoln Memorial has remained a cherished destination at the National Mall since its dedication in 1922.
Find French's historic depiction of Lincoln in our galleries of American art.