When the new Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art open to the public this Sunday, November 11th, visitors will have the opportunity to examine never before seen pieces alongside favorites from the collection. But even if you've seen some of these artworks before, they'll look better than ever thanks to work recently done by the museum's conservation team.
A special education section of the gallery will now feature a display that explains the conservation process for some of these works. This area will include a video detailing the different techniques used, as well as the process of conserving ancient art. In anticipation of the opening, check out these behind the scenes photos of Art Institute staffers and a visiting conservator restoring and cleaning some of the objects in the new galleries.
—Chris Audain, Assistant to the Chair, Department of Ancient and Byzantine Art
1 day 17 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
2 days 11 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 15 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx