Lizard people (ahem, Minnesota), butterfly ballots, and hanging, swinging, pregnant, and dimpled chads (here's looking at you, Florida)—voting in American elections always comes with a healthy dose of anxiety. But as I voted this morning here in Chicago, I found myself reassured by the ballot before me. Easy-to-follow directions, an understandable layout, and readable text—the ballot let me focus on making important decisions rather than navigating impenetrable blocks of letters or deciphering a baffling design.
Ballots in Cook County are a great example of how graphic design can serve the common good. After voting debacles in 2000, the American Institute of Graphic Arts (AIGA) launched a project called Design for Democracy, which aims to make the process of voting easier and more efficient. AIGA worked with Cook County and the state of Oregon to revamp voting materials and in 2007, Marcia Lausen published Design for Democracy: Ballot and Election Design (University of Chicago Press/AIGA), which has become an invaluable toolkit for citizens and officials who want to make voting as straightforward as possible.
Displayed at the Art Institute this spring and summer as part of the exhibition Rethinking Typologies, Design for Democracy: Ballot and Election Design includes suggestions (that might seem obvious, but aren't embraced as often as you might think) such as:
– Prioritize voter directions over administrative requirements
– Present concise text
– Use upper- and lowercase sans serif typefaces with left alignment for readability
– Don't use all caps
– Print text in 12-point font or larger
– Use universally recognized icons
– Utilize color and contrast to highlight important information
Election administration is up to states and municipalities, so even though there are model cities, counties, and states, many polling sites around the country still have atrocious voter-experience. Voting is an important part of maintaining democracy (duh), but making the process easier, clearer, and less prone to electoral dysfunction is vital in reinvigorating our democratic institutions.
If you haven't already, go vote! And if your ballot leaves something to be desired (we're talking graphic design, here, people), talk to your local election officials about making better design happen in your community.
2 hours 37 min ago The Art Institute of Chicago Artists in 19th-century Paris went crazy for big cats. ARTicle explores the history around this obsession and some of the works now on view in Lion Hunters: Copying Delacroix's Big Cats.
8 hours 15 min ago The Art Institute of Chicago “Painting depends on ink, ink depends on brush, brush depends on wrist, and wrist depends on the heart and mind.” —Tao Chi
The Inspired Chinese Brush is an installation of traditional Chinese ink paintings showcasing the rich variety of textural effects that could be achieved through careful control of the combination of ink and brushes used in their creation. Tang Yin’s painting Drinking at Night portrays the prominent 11th–century Chinese poet, calligrapher, and governmental official Su Shi drinking alone in a pavilion on a moonlit night. The work gets its name from Su Shi’s poem “Drinking on an Evening in Spring,” which is quoted on the scroll following the painting.
See this painting and the rest of the exhibition on view now in Gallery 134.
1 day 36 min ago The Art Institute of Chicago The Museum Shop’s new fall collection has arrived online! Spend $75 or more by August 31 and receive free standard shipping on your order. Enter promo code FALL75 at checkout.