After four years of extensive planning and construction, the new galleries of African art and Indian art of the Americas are now open in the Art Institute’s lower Morton Wing. Working with the California-based architectural firm wHY (Workshop Hakomori Yantrasast), our curators have created a dynamic space that showcases for the first time the museum’s full range of culturally diverse artworks and artifacts from Africa and the Americas. Colorful wall graphics provide maps and a comparative timeline and original videos by filmmaker Susan Vogel bring these artworks to life by presenting them in their cultural context.
The ritual cache figure featured above comes from the Salado culture, which flourished in the mountains of west-central New Mexico five hundred years ago. The object, discovered wrapped and hidden in a remote cave, formed part of an altar for people to commune with the spirits of the earth. The large wooden male figure personifies the sky, as can be seen in his bold zig-zag turquoise pattern and feather necklace.
When the Yoruba people of West Africa greet a king, they say, “May the crown rest long on your head and may shoes remain long on your feet.” For special occasions, a Yoruba king is dressed from his head to feet in elaborate beaded and cloth garments. These fantastic beaded slippers probably became part of the king’s regalia some time in the 18th or early 19th-century, as European fashion gained prestige in the region.
Simple photographs do not do many of these objects justice. The new space allows for large textiles and other impressive figures to be displayed for the first time. As part of the inaugural installation of the new galleries, a remarkable selection of special loans will be on display throughout the year. Be sure to check out these state-of-the-art installations on your next visit to the Art Institute.
1 day 3 hours ago The Art Institute of Chicago CLOSING SOON—Invisible Man: Gordon Parks and Ralph Ellison in Harlem
Two major figures in American art and literature aim to make the black experience visible in postwar America.
Closing August 28—http://bit.ly/2aQrnYd
1 day 7 hours ago The Art Institute of Chicago It is believed Van Dyck never intended for the early stages of his etchings to be circulated and was surprised by their immediate popularity in the art market. Finding success at a time when artists didn’t usually show works in progress, these “unfinished” prints helped set the stage for the more recent popularity of works that reveal the creative process. See the prints that altered conventions in Van Dyck, Rembrandt, and the Portrait Print—closing August 7.
2 days 2 hours ago The Art Institute of Chicago #TBT 1983: The museum held an exhibition for the collection of Jalane and Richard Davidson, Chicago collectors of contemporary American realist drawings. Acknowledged at the time for collecting against prevailing art world trends, they amassed a comprehensive collection of work spanning the careers of both well-known artists—like Jack Beal, pictured here with Jalane herself and a portrait he made of her—and lesser-known Midwestern artists. The entire Davidson collection was bequeathed to the museum and saw another exhibition devoted to it in 1999.