At the Art Institute, it has been very exciting, as we close in on our museum-wide reinstallation program, to see a familiar space transformed into something new and different. The new Roger L. and Pamela Weston Wing and Japanese Art Galleries are just that. The galleries opened on September 26, with their physical layout fluidly reorganized around certain focal points. They feel incredibly elegant and feature many recent acquisitions. The space was designed by Kulapat Yantrasast of wHY Architecture and Planning; fans of Tadao Ando’s gallery of pillars will be happy to learn that Ando was Yantrasast’s mentor, so the slight renovations to the lighting in the Ando gallery were in good hands. The new galleries are subtly beautiful, with details like plush carpeting, diffused lighting, and cool wall colors. These touches complement curator Janice Katz’s selection of objects, which include ceramic tomb figures dating back to 12,500 BCE, Buddhist and Shinto sculpture, objects related to the tea ceremony, paintings from the Edo period, and contemporary ceramics and prints.
As an educator, I am most excited about the fact that the new galleries are spacious enough to accommodate groups with gallery stools! This means that docents can return to objects that are perennial favorites with kids and adults alike such as Shukongo-jin, the Thunderbolt God.
The new installation weaves together traditional and contemporary art in very interesting ways, and the inclusion of twentieth- and twenty-first-century works throughout the galleries makes a clear statement that Japanese art is a living tradition that is still unfolding. I especially like the special exhibition of contemporary Japanese prints, The Jack D. Beem Collection: Emerging Japanese Print Artists of the 1960s, 70s, and Beyond, on view within the Japanese art galleries through January 9.
On your next trip to the museum look out for more gallery re-openings coming soon. On deck are new textiles galleries in November, followed by new galleries for African and and Indian Art of the Americas in February.
6 hours 49 min ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
1 day 52 min ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
1 day 5 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx