If you come to the Art Institute to see Henri Cartier-Bresson: The Modern Century (closing October 3), it is worth making a quick stop next door in Gallery 267 to see Arthur Pope and a New Survey of Persian Art (closing September 26). This exhibition highlights the museum’s collection of Persian art, which was developed under the guidance of Arthur Upham Pope, a dealer, scholar, collector, and curator of Persian art.
The quiet, dark-blue-walled gallery offers a contemplative atmosphere to view the small selection of works, which sample hundreds of years of Persian art history. Many of the works have an incredible degree of intricate detail, which immediately drew me in. I liked how the emphasis on detail and patterns is apparent throughout various media and dates represented in the exhibition, from a 15th century tile window grill, to an 18th century pair of engraved copper alloy hands, to a late 19th century textile hanging, and more. My favorite piece was a 17th century architectural tile (pictured above), which looks to me like a maze or an electrical circuit.
A random stroll through the contemporary art galleries after viewing this exhibition reminded me of something Erin H. wrote about the value of an encyclopedic art museum like the Art Institute. I was struck by how one of Julia Fish’s paintings of a tile floor (previously blogged by Jenny G.) would not have seemed out of place in the exhibition of Persian art. Although the artistic purpose was likely very different, just compare Fish’s painting, below, to the Persian tile above. How many climate-controlled places can you stumble around and find such interesting connections from works of art separated by hundreds of years and thousands of miles?
BONUS PUZZLE (because I can’tresist): How many artworks can you find in the galleries of Contemporary Art after 1960 (Modern Wing second floor) depicting the Art Institute of Chicago? On my way through the galleries to re-find the Julia Fish painting shown above, I saw three. Can you find them?
1 day 17 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
2 days 11 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 15 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx