A celebratory morning here at the Art Institute as our guardian lions were outfitted with Chicago Blackhawks helmets in honor of the team making the Stanley Cup finals. Chicago is a rabid sports town—Blackhawks! Cubs! White Sox! Bulls! Bears!—and the lions have been participating in this civic passion since 1985, when the Bears went to the Super Bowl.
As far as anyone can remember, that Super Bowl more than 20 years ago was the first time the lions were dressed in sports regalia. Those original Bears helmets were actually upturned Weber grills, to which minimalist face guards were welded. Legend has it that one of the helmets actually traveled by train down to the Superdome in New Orleans and was there to witness the Bears resoundingly defeat the New England Patriots 46-10.
The Bears also went to the Super Bowl in 2007, and the outcome for both the teams and the lions was less fortunate. The Bears lost to the Indianapolis Colts 29-17. And the helmets? Well, new helmets were fashioned and were set to be installed on a typical Chicago January day. I was just coming back from a short vacation on the day they were installed. I got off the plane at O’Hare to see the Sun-Times story . . . devoted to the Bears helmet that audibly CRACKED as wranglers attempted to put it on the north lion. The temperature was so low—sub-freezing—that a piece of the enormous plastic helmet contracted and snapped when it was stretched to accommodate the lion’s mane. It was fixed overnight and reinstalled the next day, but the Art Institute was accused of hexing the Bears for their Super Bowl game. I can emphatically state that this is not true, and that we were as heartbroken as everyone else when Chicago’s notoriously low winter temperatures claimed the helmet as a casualty.
Contrary to popular belief, the lions are not identical. They were created by sculptor Edward Kemeys in 1893 as a gift of Mrs. Henry Field, and they were installed at the museum’s front entrance in 1894, where they still stand today. They also have names: the north lion is “On the Prowl” and the south lion is “Standing in an Attitude of Defiance.” Though they are both over ten feet tall and weigh about three tons each, they have different stances, different dimensions, and different coiffures—a note to haberdashers serving the lions in the future!
The Blackhawks helmets were made by Chicago Scenic. Awesome job, guys!
1 day 23 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
2 days 17 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 22 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx