If you visit the Art Institute sometime in the near future, you may be disappointed to learn that the Japanese galleries will be closed until fall 2010. The good news is that the reason for this closing is a renovation of the existing space and reinstallation of the Japanese art collection.
One set of works that will be displayed for the first time in the new Weston Wing for Japanese Art are four carved wooden architectural transoms (ramma panels) that were created by master Buddhist sculptor Takamara Koun for the Japanese pavilion, the Phoenix Hall, at the 1893 World’s Columbian Exposition here in Chicago.
The Phoenix Hall was Japan’s main national pavilion at the fair. Modeled on an 11th century temple outside Kyoto, it stood out against the beaux-arts buildings that made up the majority of the rest of the fair, the so-called “White City.” After the fair, the Japanese government gave the Phoenix Hall to the city of Chicago. However, two fires in 1945 and 1946 (supposedly acts of arson) destroyed the structures and necessitated their demolition. The only four pieces of the building remaining were the four ramma panels. These were stored—and forgotten—by the city under the bleachers of Soldier Field until they were discovered there in 1973.
These icons of Chicago history and Japanese art were then separated: two panels were given to the Art Institute and two to the University of Illinois at Chicago. However, following UIC’s concerns over the condition of their ramma, their two panels were given to the Art Institute in order to better conserve and display them. The museum is currently raising money for the restoration of the four panels so that they can be displayed together for the first time outside of the Japanese pavilion.
And the moral of this story is…you never know what you’re going to find under the bleachers at Soldier Field.
Takamura Koun. Japanese, 1852-1934. Carved transoms (ramma) panels from the Phoenix Hall (detail), 1893. Wood with polychromy. 79.4 x 278.8 x 7.6 cm (31 ¼ x 109 3/4 x 3 inches) each.
1 day 19 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
2 days 13 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 17 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx