One of the things that I love about being a lawyer at the Art Institute is the exposure to a wonderful variety of copyright issues springing from the museum’s diverse collection. An interesting example is Peter Blume’s 1944-48 painting, The Rock.
United States copyright law has several quirks depending on when and where a work was created and published. Until recent decades, artists had to comply with certain “formalities,” or risk losing copyright protection. For example, if a painting was “published” (e.g. in a book or on a poster) prior to 1978, then the artist was supposed to “renew” the copyright term for the work at the Copyright Office during the 28th year following first publication, or the work would fall out of copyright in the United States and into the public domain. Without a good calendar app, few artists remembered these deadlines and renewed their copyrights. In 1992, U.S. copyright law did away with the renewal requirement, but that did not save non-renewed works first published in the United States before 1964, which lost copyright protection 28 years after they were published.
In this day and age, it should go without saying that the foregoing does not constitute legal advice and is offered for your edification and amusement only, with no representations or warranties as to accuracy, etc., etc.
12 hours 54 min ago The Art Institute of Chicago Fullerton Hall
Free to Illinois residents or with museum admission
Brazilian artist and scholar Andreas Valentin recalls his time in New York City with artist Hélio Oiticica and screens a series of short films the two produced in collaboration.
*Museum admission is free for Illinois residents every Thursday, 5:00–8:00—including during this event.
13 hours 19 min ago The Art Institute of Chicago NOW ON VIEW—Rodney McMillian: a great society
a great society represents artist Rodney McMillian's work in video over the last decade. Grappling with the complexities of class, race, and place in America, McMillian employs elements of performance, public speaking, oral history—and his interest in the science fiction genre—to expose the social and psychological consequences of economic inequality, endemic racism, and the failed promise of freedom and prosperity for all of its citizens. While McMillian's work engages the often stark realities of history and contemporary culture, it is motivated by the potential for alternative realities and future transformation.
Closing March 26—http://bit.ly/2l5Ja6e
18 hours 1 min ago The Art Institute of Chicago CLOSING SOON—John Massey: Cartón de Venezuela
One of Chicago’s great design stories emerged from the Container Corporation of America (CCA) in the middle of the 20th century. Upon his appointment in 1964 as the CCA's head of design, Chicagoan John Massey formed a research arm, the Center for Advanced Research in Design (CARD), that enabled great creativity and innovation within a corporate structure.
This exhibition features a set of posters by Massey for the CCA’s subsidiary Cartón de Venezuela. Each poster represents a different month of the year, with strong, clean lines and bold colors reflecting one of Massey’s primary influences, the Swiss school of design.
Closing March 5—http://bit.ly/2lYlz6I