The Wreathing of the Lions is one of the longest standing holiday traditions at the Art Institute. A little background for those of you not familiar with the event . . . right before the museum opens on the day after Thanksgiving, we ceremoniously hang pine wreaths around the necks of the two lions who “protect” our front steps, officially (for us, at least) marking the opening of the holiday season.
This year we’re trying something a little different. We’ve asked artist Yves Behar (whose Terra Anima is currently on view in the Modern Wing) to design new wreaths for us inspired by the Modern Wing and the spirit of the holidays. We’re not going to give it away, but here’s a close up of one of the new wreaths . . .
But don’t worry: for all of you purists out there, the traditional pine wreaths will go up in the middle of December. Happy Thanksgiving to all!
35 min 13 sec ago The Art Institute of Chicago #TBT The Boy Scouts check out Whistler’s Mother, on view at the Art Institute for the Chicago World’s Fair, 1933.
Whistler’s iconic painting has only been exhibited at the Art Institute on two occasions: once in 1933 and again in 1954 for the exhibition Sargent, Whistler, and Mary Cassatt. See this beloved American portrait—at the Art Institute again for the first time in over 60 years—starting March 4.
2 hours 5 min ago The Art Institute of Chicago TOMORROW—Join us for a special After Dark in the Modern Wing! Catch a performance from the legendary psychedelic pop group Os Mutantes and explore the exhibition Hélio Oiticica: To Organize Delirium—where visitors are invited to take off their shoes and walk through immersive sand-filled installations.
Use the code ADXL10 for $10 off any ticket price—http://bit.ly/2mhLXGh
4 hours 58 min ago The Art Institute of Chicago COMING SOON—Whistler’s Mother: An American Icon Returns to Chicago
Painted in 1871, the portrait better known today as “Whistler’s Mother” was intended to demonstrate the artist’s recent focus on tonal harmonies over subject matter. It came to be lauded as an icon beloved by Americans but rarely seen in the United States.
Explore Whistler’s use of family members as subjects, his abstract treatment of conventional genres such as portraiture and landscape, and the art of his professional ambition, in this focused installation of approximately 25 objects.
OPENING MARCH 4—http://bit.ly/2l3ZCze