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Renaissance & Baroque Art
Martorell di Giovanni
Correggio Cranach
El Greco Vittoria
Rembrandt Snyders
Rubens Reni
Poussin Steen
   
What a relief!
Introduction

In Bernat Martorell's painting, Saint George Killing the Dragon, at right, most of the picture is flat, but the skin of the dragon and parts of Saint George’s armor pop out from the surface. In Alessandro Vittoria’s Annunciation, below right, the whole image comes forward. Vittoria and Martorell have used a technique called relief to make objects or figures extend out from the background. In some places the relief is low. In others, the relief is raised very high above the painting’s surface. In both works, the relief is highest around the most important parts of the images.

Discussion Questions:

  • Read the story of Saint George and the dragon.
  • Look at the painting. Which areas in Martorell’s painting are in relief? Are these areas important to the story? Why or why not?
  • Using the "close-up" view, examine Vittoria’s sculpture carefully. It shows the Christian story of the angel Gabriel coming down from heaven to tell Mary she will give birth to the son of God. Which parts of the relief are raised the highest? Are these areas important? Why do you think so?

Make your own relief image.

Steps:

  1. Think of a story you want to tell. (It may be from a book or a tale you’ve read.) Think of the most exciting moment in the story.
  2. Make a drawing of this moment on the cardboard.
  3. Using the salt dough, build up your drawn forms so they come out of the surface. Make the most exciting part of the image the highest.
  4. When your relief work is finished, place the object in a warm area to dry thoroughly. (It may take a few days, depending on the thickness of the dough.)
  5. When the dough is dry, you may either A:
    • Cut a piece of aluminum foil that is larger than your board. Starting from the center, cover the entire surface with aluminum foil, making sure to press the foil fully into your design.
    • Paint the foil with black tempera paint.
    • When the paint is dry, rub the high areas with steel wool or wet paper towel to make them shine. Leave the low areas dark to mimic the look of Vittoria’s bronze sculpture. See Figure A.
      or B:
    • Paint the relief in bright colors to mimic the look of Martorell’s painting of Saint George.

 

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Materials

Hard, flat surface, such as cardboard or thin plywood, about 10" x 12"
Salt dough
Paper
Standard aluminum foil
Black tempera paint (more colors if desired)
Steel wool
Paper towel

 

Salt dough recipe

1 cup table salt

2 cups all-purpose flour

1/2-1 cup cold water

In a large bowl, mix salt and flour ingredients with a spoon. Gradually add 1/2 cup of water and continue to mix. Adding remaining water gradually until the mixture can be rolled easily into a ball. Knead for a few minutes. Add a drop or two of water to moisten if necessary, but don't make dough too moist.

 

 


 

Figure A

 
 

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