middle ground
(n)
the portion of picture space that is behind the foreground
but in front of the background
milliner (n)/
millinery (n)
one who designs, sells, or makes womens hats; the business
or trade of a milliner
motif (n)
a distinctive and often repeated pattern or image in a work of art
Louis Napoleon Bonaparte
(Napoleon III) (1808-1873)
French president from 1848 to 1852 and emperor from 1852 to 1870.
He gave France two decades of prosperity under a stable and authoritarian
government known as the Second Empire but finally led it to defeat
in the Franco-German War (1870-71), which forced many Impressionists
to leave Paris.
optical (adj)
of or pertaining to sight or vision; visual
palette (n)
the range of colors used by a particular artist or in a particular
work
panorama (n)
an extended landscape
or other scene, often displayed as an unobstructed view in every
direction. Panoramas were a popular art form in the 19th century.
perspective (n)
scientific method used by artists to represent three-dimensional
objects on two-dimensional surfaces. Linear perspective uses vanishing
points and orthogonals to make
objects seem as if they are receding in space. Some maintain that
a crude form of linear perspective was introduced by the Romans,
refined by Islamic artists in the middle ages, and rediscovered
by Italian architect Filippo Brunelleschi in the 15th century.
Pointillism (n)
a theory and technique of applying small strokes or dots of color
to a surface so that from a distance, they blend together; also
called Neoimpressionism or Divisionism
porcelain (n)
a hard, fine-grained, translucent and white ceramic ware produced
by firing fine white clay (kaolin) at high temperatures
Postimpressionism
(n)/ Postimpressionist (adj)
the French artistic style that followed Impressionism. Such artists as Georges
Seurat,Paul
Cézanne, Vincent
van Gogh, Paul
Gauguin, and Henri
de Toulouse-Lautrec pushed beyond the Impressionist emphasis
on the appearance of nature, stressing instead qualities such as
emotional expression and the formal structure of underlying objects.
Postimpressionism led to a variety of bold new styles,
including innovative uses of color and brushwork that sometimes
bordered on abstraction.