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American Indian Art
Mimbres/Salado Olmec
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  katchinas (kachinas) (n, pl)
small, carved wooden dolls that represent divine ancestral spirits distinct to Pueblo tribes. The form of the doll does not represent the identity of the spirit; rather the spirit is symbolized by the figure’s painted colors and decorated masks.
     
  Lambayeque (n)
region embracing the northern desert coast of Peru, where an ancient civilization evolved between the eighth and twelfth centuries, when it was incorporated in the expanding Chimú empire. Lambayeque archaeological sites include monumental adobe-brick pyramids, palaces, and other evidence of a highly stratified society at Chotuna, Chomancap, and elsewhere. Oral traditions trace the history of Lambayeque dynasties to the founder, Naymlap, who is said to have arrived with his people from the north on balsa sea-going rafts, suggesting an Ecuadorean origin.
     
  lost-wax method (n)
the process of casting metal in which an object begins as a wax model. The model is first covered with semi-liquid clay that hardens as a thin shell and is later encased in a thick clay mold. When the mold is completely dry, it is heated to melt the wax. Liquid gold, copper, or another metal is then poured into the mold. After the metal has solidified, the cooled mold is opened and the figure, a metal copy of the wax model, can be taken out, cleaned, and polished.
     
  maize (n)
Indian corn
     
  mantle (n)
a loose, sleeveless cloak
     
 

Maya; Mayan (n; adj)
Mesoamerican Indians who lived in southern Mexico, Guatemala, northern Belize, Honduras, and El Salvador and developed one of the greatest civilizations of the western hemisphere. At its height (250 B.C. - A.D. 900), Mayan civilization consisted of more than 40 cities, each with a population from 5,000 to 50,000 people. These political and religious administrative centers formed independent, shifting alliances with much evidence of war, though they shared a common culture. In this way, they were similar to the competing Greek city-states of the 5th century B.C.

The Maya are renowned for their innovative methods of agriculture, monumental stone buildings and pyramid temples, gold and copper works, and system of hieroglyphic writing. The Maya also developed highly sophisticated calendars and astronomical systems. Historical records are still being deciphered from the hieroglyphic inscriptions and royal figures depicted on commemorative monuments known as stelae.

By the time the Spaniards conquered the region in the early 16th century, most of the Maya were village-dwelling farmers who practiced the religious rites of their ancestors. Modern Maya-speaking people can be found in rural areas, raising crops of corn, beans, and squash and living in communities organized around central villages.

     
  Maya classic period (n)
a term used to designate the highest period of Mayan culture, which lasted from 250 B.C. to A.D. 900
     
  metallurgy (n)
the technique or science of working with metals. It is widely agreed that metallurgy developed first in the Andes and diffused outward from there.
     
  Mesoamerica (n)
geographical area between North and Central America comprised of the modern nations of Mexico, Guatemala, Honduras, Belize, and El Salvador as well as the ancient cultures of the Olmec, Teotihuacanos, Maya, and Aztec. The term is used to define the cultural and historical context of the people who have inhabited this area for millennia.
     
 

Mimbres/Salado culture (n)
prehistoric North American people who lived mainly along the Mimbres River and the rugged Gila Mountains in what is now southwestern New Mexico. At its height (between 1000 and 1150), the Mimbres numbered about 5,000 and lived in villages comprising about 200 people each. Because of low rainfall in the region, members of this society depended on irrigation to grow maize, beans, and squash; they also hunted small game.

The art of the Mimbres/Salado culture reflects the influences of the related Casas Grandes people of northern Mexico as well as the Anasazi of northern New Mexico and Arizona. The figural forms and abstract designs found on the ceramic vessels produced by these cultures are among the most lively and sophisticated in the ancient Americas.

The Mimbres/Salado eventually dissolved as the people migrated to form new communities in association with others in the larger Pueblo cultural region of New Mexico and northern Arizona.

     
 

Moche (n)
the dominant society from the first to the eighth century A.D on the northern coast of present-day Peru. The name comes from the archaeological site known as Moche and located in the river valley of the same name. Two giant structures known as the Temple of the Sun (Huaca del Sol) and the Temple of the Moon (Huaca de la Luna) define the site. Dozens of other Moche pyramid-platform sites exist in the coastal valleys of northern Peru. Although many have been looted, others remain unexcavated.

Like other ancient American cultures, the Moche survived off of agriculture. They guided rivers flowing down from the high Andes into a system of irrigation canals, which allowed for the growth of maize, potatoes, lima beans, and other staple crops. This system of agriculture supported a dense population.

The Moche produced sophisticated art, including mold-made pottery admired for its highly naturalistic forms. These vessels–especially the fine-quality water jars with characteristic stirrup spouts–bear portrait heads of individuals, animals, plants, buildings, and fantastic beings representing supernatural forces. Painted scenes on some vessels provide visual descriptions of the complex ceremonies and daily activities of the Moche.

     
 

 

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