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Miller Tanner
Douglas Ellison
Lawrence Motley
Hunt Catlett
Thomas Bearden
Marshall Ligon
Glenn Ligon
American, born 1960

© Glenn Ligon
Stranger in the Village #13, 1998
Enamel, oil and acrylic paint, gesso, and coal dust on canvas
182.9 x 335.3 cm
Gift of the Peter Norton Family Foundation, 1999.303


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Glenn Ligon often uses language in his paintings to address the position of African Americans (especially men) in contemporary America. His previous works have included texts written by Ralph Ellison, Zora Neale Hurston, and Jean Genêt. This work includes text from James Baldwin’s essay "Stranger in the Village," first published in 1953.

Baldwin wrote the essay during a writing retreat in a small village in Switzerland. In it, he wrote about what it was like to be a black man in a foreign land. The feelings of isolation and lack of acceptance he experienced provided him with insight about race relations in the United States before the Civil Rights era.

Ligon chose a specific passage of the essay and stenciled the words in black on a black background, intentionally making the text illegible. His addition of coal dust to the painting’s surface further obscured the text. The blackened painting evokes rage, a word that Baldwin used repeatedly in his text to describe the feelings of black Americans, relatives of slaves whom he described as having been excluded from the traditions of the West.

Read passages from Baldwin’s "Stranger in the Village."

 

 

 

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