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Displaying records 81 - 90 of 178.
Ken Ohara's conceptual photobook One (1970) successfully achieved the Provoke aim of challenging language and producing a reaction not easily classified. The book is a series of...
4. Ken Ohara. <em>One</em>. Tokyo: Tsukiji Shokan, 1970, [p.266-267].
Yutaka Takanashi was already an established photographer when he joined Provoke. He joined the group partly because of Nakahira's charismatic persuasion and partly because, as he said, "...
2. Yutaka Takanashi. <em>Toshi-e</em>.  Tokyo: Takanashi Yutaka; Hatsubaimoto Izara Shob&#333;, 1974; [p.63], hardback.
Kohei Yishiyuki published Document: Kōen (The Park) in 1980. His visits to "love-nest" parks in Shinjuku, Yoyogi and Aoyama between 1971 and 1973, and his 1979 visits to parks known as...
3. Kohei Yishiyuki. <em>Document: K&#333;en</em>. Tokyo: Sebunsha, 1980, p.31-32.
One of the few women photographers in Japan in the 1970s was Miyako Ishiuchi. In her 1977 series Yokosuka Story, she returns to her hometown Yokosuka, also the home of a U.S. naval base...
2. Ishiuchi, Miyako. <em>Sweet Home Yokosuka 1976-1980</em>. New York: PPP Editions in association with Andrew Roth, Inc., 2010, [unpaginated].
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